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What Is Cinema Volume 2

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Synopses & Reviews

Publisher Comments:

André Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinéma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protégé of François Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."

Synopsis:

"Although André Bazin died shortly before the onset of what we now regard as the modern cinema, our understanding of this cinema wouldn't be the same without him. He's also one of the most scrupulous humanists and polemicists we've had, on a par with George Orwell, and these essays map out the busy highways we're all still navigating."—Jonathan Rosenbaum, film critic for the Chicago Reader

"What Is Cinema? remains an invaluable—and beautiful—landmark in film and media studies. In both my research and my classrooms I return to these essays again and again—not only for the richness of their arguments but also for their passionate belief that the cinema is a form of revelation vital to our lives."—Vivian Sobchack, Professor, Department of Film, Television, and Digital Media, University of California, Los Angeles

About the Author

André Bazin (1918–1958) was one of France's best-known and respected film critics, and mentor to such directors as Truffaut and Godard. Hugh Gray (translator, 1900–1981) was Professor of Film, Theater, Aesthetics, and Humanities at the University of California, Los Angeles, and Loyola Marymount University. Dudley Andrew is Professor of Film Studies and of Comparative Literature at Yale University. He is the author of André Bazin (1990) and Mists of Regret: Culture and Sensibility in Classic French Film (1995).

Product Details

ISBN:
9780520242289
Prologue:
Andrew, Dudley
Publisher:
University of California Press
Prologue by:
Andrew, Dudley
Prologue:
Andrew, Dudley
Author:
&
Author:
Bazin, Andr&amp
Author:
Bazin, Andr
Author:
Andr&amp
Author:
Bazin, Andre
Author:
Andrew, Dudley
Author:
Bazin
Author:
Truffaut, Francois
Author:
Bazin, Andr?
Author:
Gray, Hugh
Author:
Andr
Author:
eacute
Author:
Bazin, Andra1/2
Subject:
Film & Video - General
Subject:
Motion pictures
Subject:
Film - General
Subject:
Film and Television-Reference
Edition Description:
Cloth
Series Volume:
Volume II
Publication Date:
20041231
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
226
Dimensions:
8.25 x 5.5 x 0.63 in 9 oz

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Related Subjects

Arts and Entertainment » Film and Television » Film History and Theory
Arts and Entertainment » Film and Television » General
Arts and Entertainment » Film and Television » History and Criticism
Arts and Entertainment » Film and Television » Reference

What Is Cinema Volume 2 New Trade Paper
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Product details 226 pages University of California Press - English 9780520242289 Reviews:
"Synopsis" by ,
"Although André Bazin died shortly before the onset of what we now regard as the modern cinema, our understanding of this cinema wouldn't be the same without him. He's also one of the most scrupulous humanists and polemicists we've had, on a par with George Orwell, and these essays map out the busy highways we're all still navigating."—Jonathan Rosenbaum, film critic for the Chicago Reader

"What Is Cinema? remains an invaluable—and beautiful—landmark in film and media studies. In both my research and my classrooms I return to these essays again and again—not only for the richness of their arguments but also for their passionate belief that the cinema is a form of revelation vital to our lives."—Vivian Sobchack, Professor, Department of Film, Television, and Digital Media, University of California, Los Angeles

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