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25 Remote Warehouse Music- History and Criticism

This title in other editions

A Concise History of Western Music

by

A Concise History of Western Music Cover

 

Synopses & Reviews

Publisher Comments:

Engaging, clear and informative, this is the story of western music - of its great composers, its performers and listeners, and of the ever changing ideas of what music is and what it is for. Paul Griffiths shows how music has evolved through the centuries, and suggests how musical evolution has reflected developments in history and culture. The book provides an enticing introduction for students and beginners, using the minimum of technical terms, all straightforwardly defined in the glossary. Its perspective and its insights will also make it illuminating for teachers, musicians and music lovers. Suggestions for further reading and recommended recordings are given at the end of each of the 24 short chapters.

Review:

"Cambridge's target audience for its new book is 'students and beginners,' and this may explain why the book, unlike other single-volume music histories, is devoid of demonstrative score samples. It does not, however, explain the book's spotty approach, which may confuse those same beginners. After a brief mention of music in the ancient world, Griffiths jumps to the early Middle Ages in Europe, addressing the fundamental importance of music notation. From this point, Griffiths leads a tour through 1100 years of music-making, addressing simultaneous developments in many areas of Western culture, including politics, literature and mathematics. The effectiveness of this approach becomes questionable as the volume enters the Baroque era, when the number of composers and the variety of styles expand rapidly. Though the text is filled with Griffith's typically excellent, thought-provoking observations-he's written for The New Yorker and The New York Times-his writing from this point meanders, like a casual conversation. One can learn about trends and ground-breaking works here, but trying to get a picture of Schoenberg's career and development, for instance, is difficult. The method also leads to some chapter misnomers: the author's discussions of Verdi, Bizet and 19th-century Russian Nationalists are in the chapter, 'New Germans and Old Vienna.' For these reasons, the volume will be more useful to seasoned readers than to novices. A glossary is welcome and helpful, as is a list of recommended readings and recordings." Publishers Weekly (Copyright Reed Business Information, Inc.)

Book News Annotation:

Music critic and author Paul Griffiths provides an introduction to music for students and beginners that avoids an excess of terms, with no musical examples or illustrations. He begins with ancient times and moves through periods of his own designation up to the end of the twentieth century, with brief mention of a few pieces in the twenty- first. He explains genres, composers, pieces, and styles in short chapters, such as those often comparing composers with each other, like Haydn and Mozart, and Bach and Handel. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com)

Synopsis:

A brief history of western classical music which will appeal to all music lovers.

Synopsis:

Engaging, clear and informative, this book traces the history of western classical music. Paul Griffiths shows how music has changed through the centuries, and suggests how that change mirrors development in the human notion of time, from the eternity of heaven to the computer's microsecond. A glossary provides the reader with clear definitions of technical terms, and a list of recommended books and recordings is included. An essential read for students, teachers and classical music lovers alike.

Product Details

ISBN:
9780521842945
Author:
Griffiths, Paul
Publisher:
Cambridge University Press
Location:
Cambridge
Subject:
History and criticism
Subject:
Music
Subject:
History & Criticism - General
Subject:
General Music
Subject:
Music -- History and criticism.
Publication Date:
20140331
Binding:
Hardcover
Grade Level:
Professional and scholarly
Language:
English
Pages:
348
Dimensions:
8.60x5.88x1.06 in. 1.34 lbs.

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A Concise History of Western Music New Hardcover
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$67.25 In Stock
Product details 348 pages Cambridge University Press - English 9780521842945 Reviews:
"Publishers Weekly Review" by , "Cambridge's target audience for its new book is 'students and beginners,' and this may explain why the book, unlike other single-volume music histories, is devoid of demonstrative score samples. It does not, however, explain the book's spotty approach, which may confuse those same beginners. After a brief mention of music in the ancient world, Griffiths jumps to the early Middle Ages in Europe, addressing the fundamental importance of music notation. From this point, Griffiths leads a tour through 1100 years of music-making, addressing simultaneous developments in many areas of Western culture, including politics, literature and mathematics. The effectiveness of this approach becomes questionable as the volume enters the Baroque era, when the number of composers and the variety of styles expand rapidly. Though the text is filled with Griffith's typically excellent, thought-provoking observations-he's written for The New Yorker and The New York Times-his writing from this point meanders, like a casual conversation. One can learn about trends and ground-breaking works here, but trying to get a picture of Schoenberg's career and development, for instance, is difficult. The method also leads to some chapter misnomers: the author's discussions of Verdi, Bizet and 19th-century Russian Nationalists are in the chapter, 'New Germans and Old Vienna.' For these reasons, the volume will be more useful to seasoned readers than to novices. A glossary is welcome and helpful, as is a list of recommended readings and recordings." Publishers Weekly (Copyright Reed Business Information, Inc.)
"Synopsis" by , A brief history of western classical music which will appeal to all music lovers.
"Synopsis" by , Engaging, clear and informative, this book traces the history of western classical music. Paul Griffiths shows how music has changed through the centuries, and suggests how that change mirrors development in the human notion of time, from the eternity of heaven to the computer's microsecond. A glossary provides the reader with clear definitions of technical terms, and a list of recommended books and recordings is included. An essential read for students, teachers and classical music lovers alike.
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