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At Freddie'sby Penelope Fitzgerald
Synopses & Reviews
“A jewel of a book.” —Daily Mail
It is the 1960s, in London’s West End, and Freddie is the formidable proprietress of the Temple Stage School, which supplies child actors for everything from Shakespeare to musicals to the Christmas pantomime. Of unknown age and provenance, Freddie is a skirt-swathed enigma—a woman who by sheer force of character and single-minded thrust has turned herself and her school into a national institution. Anyone who is anyone must know Freddie.
Filled with unique and hilarious insights into the theatrical world, At Freddie’s is a beguiling story for those of us who sometimes pretend to be something we are not.
“Love, fear, class, ambition, even death—it's all in here, but so elegantly presented that you've finished your plate before you even think to ask about the ingredients.” —National Public Radio
"Freddie's" is the familiar name of the Temple Stage School, which supplies London's West End theaters with child actors for everything from Shakespeare to musicals to the Christmas pantomime. Its proprietress, Freddie Wentworth, is a formidable woman of unknown age and murky background who brings anyone she encounters under her spell — so common an occurrence that it is known as "being Freddied." At her school, we meet dour Pierce, a teacher hopelessly smitten with enchanting Hannah; Jonathan, a child actor of great promise, and his slick rival Mattie; and Joey Blatt, who has wicked plans to rescue Freddie's from insolvency. Up to its surprising conclusion, At Freddie's is thoroughly beguiling.
About the Author
PENELOPE FITZGERALD wrote many books small in size but enormous in popular and critical acclaim over the past two decades. Over 300,000 copies of her novels are in print, and profiles of her life appeared in both The New Yorker and The New York Times Magazine. In 1979, her novel Offshore won Britain's Booker Prize, and in 1998 she won the National Book Critics Circle Prize for The Blue Flower. Though Fitzgerald embarked on her literary career when she was in her 60's, her career was praised as "the best argument.. for a publishing debut made late in life" (New York Times Book Review). She told the New York Times Magazine, "In all that time, I could have written books and I didn’t. I think you can write at any time of your life." Dinitia Smith, in her New York Times Obituary of May 3, 2000, quoted Penelope Fitzgerald from 1998 as saying, "I have remained true to my deepest convictions, I mean to the courage of those who are born to be defeated, the weaknesses of the strong, and the tragedy of misunderstandings and missed opportunities, which I have done my best to treat as comedy, for otherwise how can we manage to bear it?"
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