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The Best American Comics (Best American Comics)

by Alison Bechdel

The Best American Comics (Best American Comics) Cover

 

Synopses & Reviews

Publisher Comments:

This newest edition to the Best American Series--"A genuine salute to comics" (Houston Chronicle)--returns with a set of both established and up-and-coming contributors. Editor Lynda Barry and and brand new series editors Jessica Abel and Matt Madden--acclaimed cartoonists in their own right-- have sought out the best stories culled from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Web to create this cutting-edge collection "perfect for newbies as well as fans"--The San Diego Union Tribune. This newest volume features luminaries like Chris Ware, Seth, and Alison Bechdel alongside Paul Pope's "Batman" and beloved daily cartoonists like Matt Groening.

Lynda Barry is a writer and cartoonist whose comic strip, “Ernie Pooks Comeek” celebrates its 30th year in print in 2007. She is a recipient of the Washington State Governor's Award for her novel, The Good Times are Killing Me, which she adapted into a long-running off-broadway play. The New York Times called her second novel, Cruddy, “A work of terrible beauty”. She received the 2003 William Eisner award for Best Graphic Album and an American Library Association Alex award for her book, One! Hundred! Demons!. She lives and works in southern Wisconsin.

Jessica Abel is the author of the graphic novel La Perdida, as well as two collections of stories and drawings from her comic zine Artbabe. Matt Madden is a cartoonist and author of 99 Ways to Tell a Story: Exercises in Style. Their textbook about making comics, Drawing Words & Writing Pictures, is forthcoming.

Review:

"Fun Home creator Bechdel selects 27 pieces for this year's Best American anthology, and though a reader can trace her sensibility in some of the entries — Eric Orner's funny and explicit 'Weekends Abroad' might as well be called 'Israeli Gays to Watch Out For' — it's a pleasure to see many odd, gritty selection. Michael DeForge's 'Queen' and Angie Wang's 'Flower Mecha' both temper dysmorphia with welcome silliness; John Pham's 'St. Ambrose' and Noah Van Sciver's 'Abby's Road' treat underexplored subcultures (Vietnamese-American Catholics and Juggalos) with thoughtfulness and care. No serious comics fan won't already have read the pieces from Chris Ware, Joe Sacco, or Jaime Hernandez chosen for this anthology; however, excerpts from masterful longer works rarely stand well on their own. And while Bechdel owns up in her witty introduction to the collection's poor representation of women and cartoonists of color, it's a little bizarre that the series' editors spend their intro bragging about Best American's first-ever inclusion of a webcomic (Kate Beaton's terrific 'Hark! A Vagrant!') as if they're brave pioneers, rather than years behind the curve. Overall, though, this year's Best American is a handsome anthology with more than a few welcome surprises. (Oct.)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.

Synopsis:

A collection of the best graphic pieces published in 2010.

Synopsis:

“If you have spent a long time resisting the status quo—whether its in art, society, or the political world—what happens when that status quo at last gives way?

A universe of possibility opens up.”

—Alison Bechdel, from the Introduction

Featuring: Gabrielle Bell, Joe Sacco, Dash Shaw, Sabrina Jones, Chris Ware, Jillian Tamaki, Jaime Hernandez, Jeff Smith, Paul Pope, Kevin Huizenga, and others

Synopsis:

The Best American Comicsshowcases the work of both established and up-and-coming contributors. Editor Neil Gaimanone of the top writers in modern comics and the award-winning author of novels and childrens bookshas culled the best stories from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Internet to create this cutting-edge collection. With entries from luminaries such as Tim Hensley, Michael Kupperman, and Dash Shaw, “its hard to flip through this book without finding a lot worth reading (and rereading)” (The Onion, A.V. Club).

About the Author

ALISON BECHDEL has been a careful archivist of her own life and kept a journal since she was ten. Since 1983 she has been chronicling the lives of various characters in the fictionalized “Dykes to Watch Out For” strip, “one of the preeminent oeuvres in the comics genre, period” (Ms.). The strip is syndicated in fifty alternative newspapers, translated into multiple languages, and collected into a book series with a quarter of a million copies in print. Utne magazine has listed DTWOF as “one of the greatest hits of the twentieth century.”
JESSICA ABEL is the author of the graphic novel La Perdida as well as two collections of stories and drawings from her series Artbabe. MATT MADDEN is a cartoonist and the author of 99 Ways to Tell a Story: Exercises in Style. Together they are the authors of Drawing Words and Writing Pictures.
MATT MADDEN is a cartoonist and the author of 99 Ways to Tell a Story: Exercises in Style. Together, they are the authors of Drawing Words & Writing Pictures.

Product Details

ISBN:
9780547333625
Author:
Bechdel, Alison
Publisher:
Houghton Mifflin Harcourt
Author:
Gaiman, Neil
Author:
Abel, Jessica
Author:
Barry, Lynda
Author:
Madden, Matt
Author:
Burns, Charles
Subject:
Graphic Novels-Anthologies
Edition Description:
Trade Cloth
Series:
The Best American Series (R)
Publication Date:
20111004
Binding:
Hardback
Language:
English
Illustrations:
yes
Pages:
352
Dimensions:
9 x 7 in

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Related Aisles

The Best American Comics (Best American Comics) New Hardcover
0 stars - 0 reviews
$25.00 In Stock
Product details 352 pages Houghton Mifflin Harcourt (HMH) - English 9780547333625 Reviews:
"Publishers Weekly Review" by , "Fun Home creator Bechdel selects 27 pieces for this year's Best American anthology, and though a reader can trace her sensibility in some of the entries — Eric Orner's funny and explicit 'Weekends Abroad' might as well be called 'Israeli Gays to Watch Out For' — it's a pleasure to see many odd, gritty selection. Michael DeForge's 'Queen' and Angie Wang's 'Flower Mecha' both temper dysmorphia with welcome silliness; John Pham's 'St. Ambrose' and Noah Van Sciver's 'Abby's Road' treat underexplored subcultures (Vietnamese-American Catholics and Juggalos) with thoughtfulness and care. No serious comics fan won't already have read the pieces from Chris Ware, Joe Sacco, or Jaime Hernandez chosen for this anthology; however, excerpts from masterful longer works rarely stand well on their own. And while Bechdel owns up in her witty introduction to the collection's poor representation of women and cartoonists of color, it's a little bizarre that the series' editors spend their intro bragging about Best American's first-ever inclusion of a webcomic (Kate Beaton's terrific 'Hark! A Vagrant!') as if they're brave pioneers, rather than years behind the curve. Overall, though, this year's Best American is a handsome anthology with more than a few welcome surprises. (Oct.)" Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
"Synopsis" by ,
A collection of the best graphic pieces published in 2010.
"Synopsis" by ,
“If you have spent a long time resisting the status quo—whether its in art, society, or the political world—what happens when that status quo at last gives way?

A universe of possibility opens up.”

—Alison Bechdel, from the Introduction

Featuring: Gabrielle Bell, Joe Sacco, Dash Shaw, Sabrina Jones, Chris Ware, Jillian Tamaki, Jaime Hernandez, Jeff Smith, Paul Pope, Kevin Huizenga, and others

"Synopsis" by ,
The Best American Comicsshowcases the work of both established and up-and-coming contributors. Editor Neil Gaimanone of the top writers in modern comics and the award-winning author of novels and childrens bookshas culled the best stories from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Internet to create this cutting-edge collection. With entries from luminaries such as Tim Hensley, Michael Kupperman, and Dash Shaw, “its hard to flip through this book without finding a lot worth reading (and rereading)” (The Onion, A.V. Club).
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