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Collecting the New: Museums and Contemporary Art

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Collecting the New: Museums and Contemporary Art Cover

 

Synopses & Reviews

Publisher Comments:

Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected.

Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent?

The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Pérez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.

Synopsis:

"By bringing together such a diverse range of informed voices, this book wonderfully succeeds in suggesting not merely as theory, but with the nitty-gritty feel of reality the very specific considerations that a museum's staff must take into account in determining whether or not to acquire, whether by gift or purchase, any particular work of art. I know of no other English-language publication that has previously addressed this issue with comparable depth or breadth."--Stephen E. Weil, Scholar Emeritus, Smithsonian Center for Education and Museum Studies, author of Making Museums Matter

"Particularly well-organized and accessibly written, this book explores the collecting and preservation of contemporary art created in a wide range of media. Its variety of essays, especially those addressing different types of institutions and various spheres of ethnicity and region, provides a very rich, stimulating, and useful introduction to this important topic."--Jeffrey Abt, Wayne State University

Synopsis:

Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected.

Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent?

The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Pérez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.

Table of Contents

Collecting the New: A Historical Introduction by Bruce Altshuler 1
The Right to Be Wrong by Howard N. Fox 15
To Have and to Hold by Robert Storr 29
9 Minutes 45 Seconds by Jeffrey Weiss 41
Breaking Down Categories: Print Rooms, Drawing Departments, and the Museum by Christophe Cherix 55
Keeping Time: On Collecting Film and Video Art in the Museum by Chrissie Iles and Henriette Huldisch 65
Collecting New-Media Art: Just Like Anything Else, Only Different by Steve Dietz 85
Beyond the "Authentic-Exotic": Collecting Contemporary Asian Art in the Twenty-first Century by Vishakha N. Desai 103
The Unconscious Museum: Collecting Contemporary African Art without Knowing It by Pamela McClusky 115
The Accidental Tourist: American Collections of Latin American Art by Gabriel Pérez-Barreiro 131
Collecting the Art of African-Americans at the Studio Museum in Harlem: Positioning the "New" from the Perspective of the Past by Lowery Stokes Sims 147
The Challenges of Conserving Contemporary Art by Glenn Wharton 163
Acknowledgments 179
Index 181
Photography Credits 194

Product Details

ISBN:
9780691133737
Author:
Altshuler, Bruce
Publisher:
Princeton University Press
Location:
Princeton
Subject:
Collections, Catalogs, Exhibitions - General
Subject:
History - Contemporary (1945- )
Subject:
Collections, Catalogs, Exhibitions - Museum
Subject:
Art and architecture
Subject:
Art - General
Edition Description:
Trade paper
Publication Date:
20131031
Binding:
TRADE PAPER
Grade Level:
College/higher education:
Language:
English
Illustrations:
38 halftones.
Pages:
208
Dimensions:
9 x 6 in 9 oz

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Related Subjects

Arts and Entertainment » Architecture » Architects
Arts and Entertainment » Art » Anthologies
Arts and Entertainment » Art » Art History Surveys
Arts and Entertainment » Art » General
Science and Mathematics » Biology » Genetics

Collecting the New: Museums and Contemporary Art New Trade Paper
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$32.95 In Stock
Product details 208 pages Princeton University Press - English 9780691133737 Reviews:
"Synopsis" by , "By bringing together such a diverse range of informed voices, this book wonderfully succeeds in suggesting not merely as theory, but with the nitty-gritty feel of reality the very specific considerations that a museum's staff must take into account in determining whether or not to acquire, whether by gift or purchase, any particular work of art. I know of no other English-language publication that has previously addressed this issue with comparable depth or breadth."--Stephen E. Weil, Scholar Emeritus, Smithsonian Center for Education and Museum Studies, author of Making Museums Matter

"Particularly well-organized and accessibly written, this book explores the collecting and preservation of contemporary art created in a wide range of media. Its variety of essays, especially those addressing different types of institutions and various spheres of ethnicity and region, provides a very rich, stimulating, and useful introduction to this important topic."--Jeffrey Abt, Wayne State University

"Synopsis" by , Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected.

Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent?

The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Pérez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.

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