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The Inhuman: Reflections on Time

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The Inhuman: Reflections on Time Cover

 

Synopses & Reviews

Publisher Comments:

Jean-François Lyotard is one of Europe's leading philosophers, well known for his work The Postmodern Condition. In this important new study he develops his analysis of the phenomenon of postmodernity.

In a wide-ranging discussion the author examines the philosophy of Kant, Heidegger, Adorno, and Derrida and looks at the works of modernist and postmodernist artists such as Cézanne, Debussy, and Boulez. Lyotard addresses issues such as time and memory, the sublime and the avant-garde, and the relationship between aesthetics and politics. Throughout his discussion he considers the close but problematic links between modernity, progress, and humanity, and the transition to postmodernity. Lyotard claims that it is the task of literature, philosophy, and the arts, to bear witness to and explain this difficult transition.

This important contribution to aesthetic and philosophical debates will be of great interest to students in philosophy, literary, and cultural theory and politics.

Synopsis:

In this book, Lyotard addresses an enormous variety of topics, including the human body; modernist and postmodernist art, literature, and music; the discourse of philosophy; time and memory; space, the city, and landscape; the sublime; and the relation between aesthetics and politics. The analysis is enriched throughout by Lyotard's frequent references to such thinkers as Kant, Heidegger, Adorno, and Derrida.

Synopsis:

“Extremely important for everyone interested in issues of (post)modern literature, art, and music.”—Hans Ulrich Gumbrecht, Stanford University

“In this collection of 17 essays, all written or presented between 1980 and 1989, Lyotard addresses a variety of topics related to the transition from modernity to postmodernity. . . . Addressing issues of relevance to art, music, literature, and philosophy, Lyotards collection will be of interest to students, scholars, and practitioners in each of these areas as well as to a general readership interested in aesthetic postmodernity and the avante-garde.”—Choice

Product Details

ISBN:
9780804720083
Translator:
Bowlby, Rachel
Translator:
Bennington, Geoffrey
Translator:
Bennington, Geoffrey; Bowlby, Rachel
Translator:
Bowlby, Rachel
Author:
&
Author:
Lyotard, Jean-Francois
Author:
Lyotard, Jean-Frangois
Author:
ois
Author:
ois Lyotard
Author:
Jean-Fran
Author:
Bowlby, Rachel
Author:
Ccedil
Author:
Lyotard, Jean-Fran
Author:
Bennington, Geoffrey
Publisher:
Stanford University Press
Location:
Cambridge
Subject:
General
Subject:
Modern
Subject:
Metaphysics
Subject:
Humanism
Subject:
Time
Subject:
History & Surveys - Modern
Subject:
General Philosophy
Subject:
Philosophy : General
Edition Number:
1
Edition Description:
1
Series Volume:
no. 13
Publication Date:
19920331
Binding:
TRADE PAPER
Language:
English
Illustrations:
Yes
Pages:
224
Dimensions:
9.08x6.06x.56 in. .84 lbs.

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Humanities » Philosophy » General

The Inhuman: Reflections on Time New Trade Paper
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Product details 224 pages Stanford University Press - English 9780804720083 Reviews:
"Synopsis" by , In this book, Lyotard addresses an enormous variety of topics, including the human body; modernist and postmodernist art, literature, and music; the discourse of philosophy; time and memory; space, the city, and landscape; the sublime; and the relation between aesthetics and politics. The analysis is enriched throughout by Lyotard's frequent references to such thinkers as Kant, Heidegger, Adorno, and Derrida.
"Synopsis" by ,
“Extremely important for everyone interested in issues of (post)modern literature, art, and music.”—Hans Ulrich Gumbrecht, Stanford University

“In this collection of 17 essays, all written or presented between 1980 and 1989, Lyotard addresses a variety of topics related to the transition from modernity to postmodernity. . . . Addressing issues of relevance to art, music, literature, and philosophy, Lyotards collection will be of interest to students, scholars, and practitioners in each of these areas as well as to a general readership interested in aesthetic postmodernity and the avante-garde.”—Choice

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