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CBGB & OMFUG: Thirty Years from the Home of Underground Rockby Hilly (edt) Kristal
Synopses & Reviews
Hilly Kristal originally intended his club to showcase the type of music his venue's notorious letters stand for: Country, Bluegrass, Blues. Little did he know his club on the Bowery would be the birthplace of a new era of music in New York City: Punk. While CBGB ultimately didn't describe the music the club was known for, OMFUG (Other Music for Uplifting Gormandizers) still represents what the club provides for all voracious "eaters" of music.
CBGB & OMFUG is a musical and cultural landmark, recognized worldwide and visited by countless tourists and music lovers each year. In these luminous pages, CBGB's influence and legacy is honored with 200 photos of some of the most celebrated artists in music history. With an introduction by Hilly Kristal, an afterword by David Byrne, Rock and Roll Hall of Famer and cofounder of Talking Heads, and additional commentary by numerous performers and patrons, CBGB & OMFUG features unforgettable images by the many photographers who documented an American institution.
"The inside cover shows a men's restroom with its urinals plastered in stickers and graffiti. The first photo is of the Ramones posing on the sidewalk, thumbs hooked inside the front pockets of their skinny jeans. It's punk-rock documented in all its glory in this fabulous chronicle of the happenings at CBGB & OMFUG, the dingy, legendary music hangout in Manhattan's East Village. In his introduction, Kristal, CBGB's founder and owner, explains that the place was 'originally meant to be a country and blues club,' but 'is famous for being the birthplace of a new era of punk.' Opened in 1973, the club's early years saw AC/DC, Blondie, Debbie Harry, Patti Smith, Television, the Talking Heads and, of course, the Ramones, of whom there are plenty of pics. The '80s brought Sonic Youth, the Smashing Pumpkins, Hole, Live and Pearl Jam. And with the 90s came Courtney Love, Liz Phair and the Goo Goo Dolls. (The chronological history ends with the Libertines in 2003.) The b&w pictures, taken by Roberta Bayley, Bob Gruen, Godlis, Kate Simon, Ebet Roberts and others, come in two wavelengths: posed and candid. Quotes from the photographers on the artists, the music and the locale add depth-says Tommy Ramone, 'The initial patrons were artists, bohemians, drag queens and Hell's Angels-who could ask for more?'-but these raucous, invigorating photos really stand on their own. " Publishers Weekly (Copyright Reed Business Information, Inc.)
CBGBUs influence and legacy is honored with 200 photos of some of the most celebrated artists in music history. It includes an Introduction by Hilly Kristal, an Afterword by David Byrne, and additional commentary by numerous performers and patrons.
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