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Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture

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Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture Cover

 

Synopses & Reviews

Publisher Comments:

Through a rich interpretation of the remarkable photographs W. E. B. Du Bois compiled for the American Negro Exhibit at the 1900 Paris Exposition, Shawn Michelle Smith reveals the visual dimension of the color line that Du Bois famously called andldquo;the problem of the twentieth century.andrdquo; Du Boisandrsquo;s prize-winning exhibit consisted of three albums together containing 363 black-and-white photographs, mostly of middle-class African Americans from Atlanta and other parts of Georgia. Smith provides an extensive analysis of the images, the antiracist message Du Bois conveyed by collecting and displaying them, and their connection to his critical thought. She contends that Du Bois was an early visual theorist of race and racism and demonstrates how such an understanding makes the important concepts he developedandmdash;including double consciousness, the color line, the Veil, and second sightandmdash;available to visual culture and African American studies scholars in powerful new ways.

Smith reads Du Boisandrsquo;s photographs in relation to other turn-of-the-century images such as scientific typologies, criminal mugshots, racist caricatures, and lynching photographs. By juxtaposing these images with reproductions from Du Boisandrsquo;s exhibition archive, Smith shows how Du Bois deliberately challenged racist representations of African Americans. Emphasizing the importance of comparing multiple visual archives, Photography on the Color Line reinvigorates understandings of the stakes of representation and the fundamental connections between race and visual culture in the United States.

Synopsis:

An exploration of the visual meaning of the color line and racial politics through the analysis of archival photographs collected by W.E.B. Du Bois and exhibited at the Paris Exposition of 1900.

About the Author

Shawn Michelle Smith is Associate Professor of American Studies at Saint Louis University. She is the author of American Archives: Gender, Race, and Class in Visual Culture.

Product Details

ISBN:
9780822333319
Author:
Smith, Shawn Michelle
Publisher:
Duke University Press
Author:
Smith
Author:
Shawn Michellesmith
Subject:
General
Subject:
Individual Photographer
Subject:
Photography
Subject:
History
Subject:
Ethnic Studies - African American Studies - General
Subject:
Subjects & Themes - Portraits
Subject:
Photoessays & Documentaries
Subject:
Individual Photographers - General
Subject:
United States Race relations.
Subject:
African Americans--Race identity
Subject:
Portraits
Subject:
PHOTOGRAPHY / General
Edition Description:
Trade Cloth
Series:
a John Hope Franklin Center Book
Publication Date:
20040631
Binding:
HARDCOVER
Language:
English
Illustrations:
86 photographs (incl. special plate sect
Pages:
272
Dimensions:
9.14 x 5.88 in

Related Subjects

Arts and Entertainment » Photography » Annuals
Arts and Entertainment » Photography » Anthologies and History
Arts and Entertainment » Photography » General
Arts and Entertainment » Photography » Photographers
History and Social Science » African American Studies » General

Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture New Hardcover
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Product details 272 pages Duke University Press - English 9780822333319 Reviews:
"Synopsis" by ,
An exploration of the visual meaning of the color line and racial politics through the analysis of archival photographs collected by W.E.B. Du Bois and exhibited at the Paris Exposition of 1900.
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