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Other titles in the Refiguring American Music series:

Mexican American Mojo: Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 (Refiguring American Music)

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Mexican American Mojo: Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 (Refiguring American Music) Cover

 

Synopses & Reviews

Publisher Comments:

Stretching from the years during the Second World War when young couples jitterbugged across the dance floor at the Zenda Ballroom, through the early 1950s when honking tenor saxophones could be heard at the Angelus Hall, to the Spanish-language cosmopolitanism of the late 1950s and 1960s, Mexican American Mojo is a lively account of Mexican American urban culture in wartime and postwar Los Angeles as seen through the evolution of dance styles, nightlife, and, above all, popular music. Revealing the links between a vibrant Chicano music culture and postwar social and geographic mobility, Anthony Macandiacute;as shows how by participating in jazz, the zoot suit phenomenon, car culture, rhythm and blues, rock and roll, and Latin music, Mexican Americans not only rejected second-class citizenship and demeaning stereotypes, but also transformed Los Angeles.

Macandiacute;as conducted numerous interviews for Mexican American Mojo, and the voices of little-known artists and fans fill its pages. In addition, more famous musicians such as Ritchie Valens and Lalo Guerrero are considered anew in relation to their contemporaries and the city. Macandiacute;as examines language, fashion, and subcultures to trace the history of hip and cool in Los Angeles as well as the Chicano influence on urban culture. He argues that a grass-roots andldquo;multicultural urban civilityandrdquo; that challenged the attempted containment of Mexican Americans and African Americans emerged in the neighborhoods, schools, nightclubs, dance halls, and auditoriums of mid-twentieth-century Los Angeles. So take a little trip with Macandiacute;as, via streetcar or freeway, to a time when Los Angeles had advanced public high school music programs, segregated musiciansandrsquo; union locals, a highbrow municipal Bureau of Music, independent R and B labels, and robust rock and roll and Latin music scenes.

Synopsis:

A study of the creation of jazz, swing, and R&B music within the multicultural, multiethnic terrain of Los Angeles during and after World War II.

About the Author

Anthony Macandiacute;as is Associate Professor of Ethnic Studies at the University of California, Riverside.

Product Details

ISBN:
9780822343226
Author:
Macias, Anthony
Publisher:
Duke University Press
Author:
Mac
Author:
Anthony Macand#237
Author:
as, Anthony
Author:
Anthony Mac
Author:
Radano, Ronald
Author:
Macand#237
Author:
Anthony Mac&iacute
Author:
iacute
Author:
Mac&iacute
Author:
as
Author:
&
Author:
Kun, Josh
Subject:
Popular music
Subject:
Mexican americans
Subject:
Ethnic Studies - Hispanic American Studies
Subject:
Ethnic
Subject:
United States - 20th Century
Subject:
History & Criticism - General
Subject:
United States - State & Local - West
Subject:
Popular music - California - Los Angeles -
Subject:
Mexican Americans -- California.
Subject:
Ethnic Studies-Hispanic American
Edition Description:
Trade Paper
Series:
Refiguring American Music
Publication Date:
20081131
Binding:
TRADE PAPER
Language:
English
Illustrations:
42 illustrations, 2 maps
Pages:
408
Dimensions:
9.25 x 6.13 in

Related Subjects

Arts and Entertainment » Music » General
Arts and Entertainment » Music » Genres and Styles » Folk » Folk and Ethnic
Arts and Entertainment » Music » History and Criticism
Arts and Entertainment » Music » Latin America
Arts and Entertainment » Music » World Music
History and Social Science » Ethnic Studies » Hispanic American Studies
History and Social Science » World History » General

Mexican American Mojo: Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968 (Refiguring American Music) New Trade Paper
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Product details 408 pages Duke University Press - English 9780822343226 Reviews:
"Synopsis" by ,
A study of the creation of jazz, swing, and R&B music within the multicultural, multiethnic terrain of Los Angeles during and after World War II.
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