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This title in other editions

Visual Time: The Image in History

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Visual Time: The Image in History Cover

 

Synopses & Reviews

Publisher Comments:

Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorizationandmdash;demonstrating how each work influences the next as part of a linear sequenceandmdash;which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Danduuml;rer, Matthias Granduuml;newald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.

Synopsis:

Examining the notion of time in art history, Keith Moxey argues that looking at a work of art creates an experience of time for the viewer distinct from the work's place in the history of art.

About the Author

Keith Moxey is Barbara Novak Professor of Art History at Barnard College and Columbia University. He is the author of many books, including The Practice of Persuasion: Paradox and Power in Art History; The Practice of Theory: Poststructuralism, Cultural Politics, and Art History; and Peasants, Warriors, and Wives: Popular Imagery in the Reformation.

Product Details

ISBN:
9780822353690
Author:
Moxey, Keith
Publisher:
Duke University Press
Subject:
Criticism
Subject:
Art-Theory and Criticism
Edition Description:
Trade Paper
Publication Date:
20130631
Binding:
TRADE PAPER
Language:
English
Illustrations:
29 illustrations, incl. 8 in color
Pages:
224

Related Subjects

Arts and Entertainment » Art » General
Arts and Entertainment » Art » History and Criticism
Arts and Entertainment » Art » Theory and Criticism

Visual Time: The Image in History New Trade Paper
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Product details 224 pages Duke University Press - English 9780822353690 Reviews:
"Synopsis" by ,
Examining the notion of time in art history, Keith Moxey argues that looking at a work of art creates an experience of time for the viewer distinct from the work's place in the history of art.
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