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Japanoise: Music at the Edge of Circulation (Sign, Storage, Transmission)

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Japanoise: Music at the Edge of Circulation (Sign, Storage, Transmission) Cover

 

Synopses & Reviews

Publisher Comments:

Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience.

For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called andquot;Japanoise.andquot; But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium?

In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the andquot;cultural feedbackandquot; that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedbackandmdash;its sonic and cultural layers and vibrationsandmdash;Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media.

Synopsis:

Drawing on more than a decade of research in Japan and the United States, David Novak traces the "cultural feedback" that generates and sustains Noise, an underground music genre combining distortion and electronic effects.

About the Author

David Novak is Assistant Professor of Music at the University of California, Santa Barbara.

Table of Contents

Acknowledgments vii

Introduction 1

1. Scenes of Liveness and Deadness 28

2. Sonic Maps of the Japanese Underground 64

3. Listening to Noise in Kansai 92

4. Genre Noise 117

5. Feedback, Subjectivity, and Performance 139

6. Japanoise and Technoculture 169

7. The Future of Cassette Culture 198

Epilogue: A Strange History 227

Notes 235

References 259

Index 279

Product Details

ISBN:
9780822353928
Author:
Novak, David
Publisher:
Duke University Press
Author:
Allison, Anne
Subject:
History & Criticism *
Subject:
anthropology;cultural anthropology
Copyright:
Edition Description:
Trade Paper
Series:
Sign, Storage, Transmission
Publication Date:
20130631
Binding:
TRADE PAPER
Language:
English
Illustrations:
51 illustrations
Pages:
304

Related Subjects

Arts and Entertainment » Music » Asia and Indonesia
Arts and Entertainment » Music » Ethnomusicology
Arts and Entertainment » Music » General
Arts and Entertainment » Music » History and Criticism
Arts and Entertainment » Music » World Music
History and Social Science » Anthropology » Cultural Anthropology
History and Social Science » Sociology » Media

Japanoise: Music at the Edge of Circulation (Sign, Storage, Transmission) New Trade Paper
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Product details 304 pages Duke University Press - English 9780822353928 Reviews:
"Synopsis" by ,
Drawing on more than a decade of research in Japan and the United States, David Novak traces the "cultural feedback" that generates and sustains Noise, an underground music genre combining distortion and electronic effects.
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