All-Night Lingo Tango (Pitt Poetry)

"Chatty and whimsical, literary and (at its best) laugh-out-loud funny, Hamby's fourth outing begins with a tour-de-force: monorhyme. All the long lines in Hamby's two-page 'Ode to Anglo Saxon, Film Noir, and the Hundred Thousand Anxieties that Plague Me Like Demons in a Medieval Christian Allegory' (yes, that's the title) rhyme, or at least half-rhyme, with one another: 'Who are you? Not the hippie chick/ of your early twenties or the Sears and Roebuck/ Christian drudge your mother became, though Satan still stalks/ you....' Most of the volume pursues the same jittery, entertaining pace, with frequent reference to baby-boom — era popular culture, especially film: 'Here's to the movie queens with their nose jobs, snow jobs, blow jobs.' Long-lined 'Odes,' most in monorhyme or in loose couplets, give her extroverted, digressive imagination free play, reminiscent by turns of Albert Goldbarth and Ogden Nash: 'I was a vegetarian,/ so I know food hang-ups like a Rastafarian/ knows ganja.' Hamby (Babel) also includes a few dozen 13-line sonnets, more restrained, less forceful, and less personal, but determined to juxtapose the ultra-contemporary and the famously literary: 'Nietzsche Explains the Ubermensch to Lois Lane.' Hamby's autobiographical asides and festive attitudes may seem, to some, like nothing new: yet, often enough, their sheer verve should entertain." Publishers Weekly (Copyright Reed Business Information, Inc.)