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1 Beaverton Music- Rock Biography

The Replacements: Let It Be (33 1/3 Series)

by

The Replacements: Let It Be (33 1/3 Series) Cover

 

Synopses & Reviews

Publisher Comments:

One of the greatest moments of College Rock in the 1980s, Let It Be had a huge impact on the fans who fell under its spell. For Colin Meloy, growing up in Montana — a state that's strangely missing from the tour itineraries of almost every band — the album was a lifeline and an inspiration. In this disarming memoir, Meloy lovingly recreates those feverish first years when rock music grips you and never lets go.

Review:

"[Meloy] offers an interesting coming-of-age story as an appropriate salute to an album and a band that were a consuming passion for him at an impressionable age. A nice period piece." Booklist

Review:

"It was only a matter of time before a clever publisher realized that there is an audience for whom Exile on Main Street or Electric Ladyland are as significant and worthy of study as The Catcher in the Rye or Middlemarch. The series... is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration." The New York Times Book Review

Review:

"Ideal for the rock geek who thinks liner notes just aren't enough." Rolling Stone

Review:

"One of the coolest publishing imprints on the planet." Bookslut

Review:

"These are for the insane collectors out there who appreciate fantastic design, well-executed thinking, and things that make your house look cool. Each volume in this series takes a seminal album and breaks it down in startling minutiae. We love these. We are huge nerds." Vice

Review:

"A brilliant series... each one a word of real love." NME

Review:

"Passionate, obsessive, and smart." Nylon

Review:

"Religious tracts for the rock 'n' roll faithful." Uncut

Review:

"We... aren't naive enough to think that we're your only source for reading about music (but if we had our way... watch out). For those of you who really like to know everything there is to know about an album, you'd do well to check out Continuum's 33 1/3 series of books." Pitchfork

Synopsis:

"Thirty Three and a Third" is a new series of short books about critically acclaimed and much-loved albums of the last 40 years. The authors provide fresh, original perspectives ? often through their access to and relationships with the key figures involved in the recording of these albums. By turns obsessive, passionate, creative, and informed, the books in this series demonstrate many different ways of writing about music. What binds the series together, and what brings it to life, is that all of the authors ? musicians, broadcasters, scholars, and writers ? are huge fans of the album they have chosen.

Synopsis:

33 1/3 is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 50 titles and is acclaimed and loved by fans, musicians and scholars alike.

Synopsis:

One of the greatest moments of College Rock in the 1980s, Let It Be had a huge impact on the fans who fell under its spell. For Colin Meloy, growing up in Montana - a state that's strangely missing from the tour itineraries of almost every band - the album was a lifeline and an inspiration. In this disarming memoir, Meloy lovingly recreates those feverish first years when rock music grips you and never lets go.EXCERPTThe fact that the Replacements had to endure that sort of Midwestern environment while trying to keep up a hard-case punk-rock image really appealed to my predicament. That they had to live through 40 below winters and frozen pipes, while surrounded by what I perceived as being a wholesome cultural backwater, brought the Replacements closer to me, closer to Montana. They seemed like the kind of band that could be practicing in my garage, my basement, and still be crunching out the same indelible music.

About the Author

Colin Meloy is the lead singer and songwriter for the Decemberists. Their first two albums, Castaways and Cutouts and Her Majesty the Decemberists, have been released to widespread critical acclaim. He lives in Portland, Oregon.

Product Details

ISBN:
9780826416339
Author:
Meloy, Colin
Publisher:
Bloomsbury Academic
Location:
N
Subject:
Genres & Styles - Rock
Subject:
Replacements (Musical group)
Subject:
Meloy, Colin
Subject:
Music-Rock History
Subject:
Popular Culture
Copyright:
Edition Description:
Trade paper
Series:
33 1/3
Series Volume:
16
Publication Date:
August 2004
Binding:
TRADE PAPER
Language:
English
Pages:
118
Dimensions:
6.51 x 5.36 x 0.34 in

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Related Subjects

Arts and Entertainment » Music » 33 1/3 Series
Arts and Entertainment » Music » General
Arts and Entertainment » Music » Genres and Styles » Rock
Arts and Entertainment » Music » Genres and Styles » Rock » Biographies
Arts and Entertainment » Music » History and Criticism

The Replacements: Let It Be (33 1/3 Series) Used Trade Paper
0 stars - 0 reviews
$10.50 In Stock
Product details 118 pages Continuum International Publishing Group - English 9780826416339 Reviews:
"Review" by , "[Meloy] offers an interesting coming-of-age story as an appropriate salute to an album and a band that were a consuming passion for him at an impressionable age. A nice period piece."
"Review" by , "It was only a matter of time before a clever publisher realized that there is an audience for whom Exile on Main Street or Electric Ladyland are as significant and worthy of study as The Catcher in the Rye or Middlemarch. The series... is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration."
"Review" by , "Ideal for the rock geek who thinks liner notes just aren't enough."
"Review" by , "One of the coolest publishing imprints on the planet."
"Review" by , "These are for the insane collectors out there who appreciate fantastic design, well-executed thinking, and things that make your house look cool. Each volume in this series takes a seminal album and breaks it down in startling minutiae. We love these. We are huge nerds."
"Review" by , "A brilliant series... each one a word of real love."
"Review" by , "Passionate, obsessive, and smart."
"Review" by , "Religious tracts for the rock 'n' roll faithful."
"Review" by , "We... aren't naive enough to think that we're your only source for reading about music (but if we had our way... watch out). For those of you who really like to know everything there is to know about an album, you'd do well to check out Continuum's 33 1/3 series of books."
"Synopsis" by , "Thirty Three and a Third" is a new series of short books about critically acclaimed and much-loved albums of the last 40 years. The authors provide fresh, original perspectives ? often through their access to and relationships with the key figures involved in the recording of these albums. By turns obsessive, passionate, creative, and informed, the books in this series demonstrate many different ways of writing about music. What binds the series together, and what brings it to life, is that all of the authors ? musicians, broadcasters, scholars, and writers ? are huge fans of the album they have chosen.
"Synopsis" by , 33 1/3 is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 50 titles and is acclaimed and loved by fans, musicians and scholars alike.
"Synopsis" by ,
One of the greatest moments of College Rock in the 1980s, Let It Be had a huge impact on the fans who fell under its spell. For Colin Meloy, growing up in Montana - a state that's strangely missing from the tour itineraries of almost every band - the album was a lifeline and an inspiration. In this disarming memoir, Meloy lovingly recreates those feverish first years when rock music grips you and never lets go.EXCERPTThe fact that the Replacements had to endure that sort of Midwestern environment while trying to keep up a hard-case punk-rock image really appealed to my predicament. That they had to live through 40 below winters and frozen pipes, while surrounded by what I perceived as being a wholesome cultural backwater, brought the Replacements closer to me, closer to Montana. They seemed like the kind of band that could be practicing in my garage, my basement, and still be crunching out the same indelible music.
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