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Guided by Voices: Bee Thousand (33 1/3 Series)

by

Guided by Voices: Bee Thousand (33 1/3 Series) Cover

 

Synopses & Reviews

Publisher Comments:

Marc Woodworth's book covers the album's long and unorthodox period of writing, recording, sequencing, and editing. It includes interviews with members of the band, manager Pete Jamison, web-master and GBV historian Rich Turiel and Robert Griffin of Scat Records. At least sixty-five songs were recorded and considered for the album and five distinct concepts were rejected before the band hit upon the records final form. One late version, very nearly released, contained only a few of Bee Thousand's definitive songs.

The rest were left out and nearly ended up in the boxes of cassette out-takes cluttering up Robert Pollard's basement. The story of Guided By Voices transformation from an occasional and revolving group of complete unknowns to indie-rock heroes is very much part of the story behind the making of Bee Thousand.

In addition to providing a central account of how the record was made, Woodworth devotes a substantial chapter to the album's lyrics. Robert Pollard's lyrics are described by critics, when they're described at all, as a brand of tossed-off surrealism, as if his verbal sensibility is somehow incidental to the songs themselves. Nothing could be further from the truth. Woodworth offers a sustained discussion of Pollard's work as a writer of often sublime, beautiful, and very human lyrics.

The third key section of the book covers aesthetics. Woodworth considers the great appeal of the do-it-yourself nature of Bee Thousand and reflects on the larger importance of the strain of alternative rock for which this record is a touchstone.

Review:

"It was only a matter of time before a clever publisher realized that there is an audience for whom Exile on Main Street or Electric Ladyland are as significant and worthy of study as The Catcher in the Rye or Middlemarch. The series... is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration." The New York Times Book Review

Review:

"Ideal for the rock geek who thinks liner notes just aren't enough." Rolling Stone

Review:

"One of the coolest publishing imprints on the planet." Bookslut

Review:

"These are for the insane collectors out there who appreciate fantastic design, well-executed thinking, and things that make your house look cool. Each volume in this series takes a seminal album and breaks it down in startling minutiae. We love these. We are huge nerds." Vice

Review:

"A brilliant series... each one a word of real love." NME

Review:

"Passionate, obsessive, and smart." Nylon

Review:

"Religious tracts for the rock 'n' roll faithful." Uncut

Review:

"We... aren't naive enough to think that we're your only source for reading about music (but if we had our way... watch out). For those of you who really like to know everything there is to know about an album, you'd do well to check out Continuum's 33 1/3 series of books." Pitchfork

Synopsis:

33 1/3 is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 50 titles and is acclaimed and loved by fans, musicians and scholars alike.

Synopsis:

Marc Woodworth's book covers the album's long and unorthodox period of writing, recording, sequencing, and editing. It includes interviews with members of the band, manager Pete Jamison, web-master and GBV historian Rich Turiel and Robert Griffin of Scat Records. At least sixty-five songs were recorded and considered for the album and five distinct concepts were rejected before the band hit upon the records final form. One late version, very nearly released, contained only a few of Bee Thousand's definitive songs.

The rest were left out and nearly ended up in the boxes of cassette out-takes cluttering up Robert Pollard's basement. The story of Guided By Voices transformation from an occasional and revolving group of complete unknowns to indie-rock heroes is very much part of the story behind the making of Bee Thousand.

In addition to providing a central account of how the record was made, Woodworth devotes a substantial chapter to the album's lyrics. Robert Pollard's lyrics are described by critics, when they're described at all, as a brand of tossed-off surrealism, as if his verbal sensibility is somehow incidental to the songs themselves. Nothing could be further from the truth. Woodworth offers a sustained discussion of Pollard's work as a writer of often sublime, beautiful, and very human lyrics. 

The third key section of the book covers aesthetics. Woodworth considers the great appeal of the do-it-yourself nature of Bee Thousand and reflects on the larger importance of the strain of alternative rock for which this record is a touchstone. 

About the Author

Marc Woodworth is the author of Solo: Women Singer-Songwriters in their Own Words (Dell, 1998) and a volume of poetry, Arcade (Grove Press, 2002). He edits the international quarterly Salmagundi and teaches at Skidmore College in Saratoga Springs, New York.

Product Details

ISBN:
9780826417480
Author:
Woodworth, Marc
Publisher:
Bloomsbury Academic
Subject:
Composers & Musicians - Rock
Subject:
History & Criticism - General
Subject:
Genres & Styles - Rock
Subject:
Guided by Voices (Musical group)
Subject:
Music-Rock History
Subject:
Rock
Edition Description:
Trade paper
Series:
33 1/3
Publication Date:
20061031
Binding:
TRADE PAPER
Language:
English
Illustrations:
Y
Pages:
144
Dimensions:
6.51 x 4.76 x 0.39 in

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Related Subjects

Arts and Entertainment » Music » 33 1/3 Series
Arts and Entertainment » Music » Genres and Styles » Rock
Arts and Entertainment » Music » Genres and Styles » Rock » Biographies
Arts and Entertainment » Music » Genres and Styles » Rock » Reference and Criticism
Arts and Entertainment » Music » History and Criticism

Guided by Voices: Bee Thousand (33 1/3 Series) New Trade Paper
0 stars - 0 reviews
$14.95 In Stock
Product details 144 pages Continuum International Publishing Group - English 9780826417480 Reviews:
"Review" by , "It was only a matter of time before a clever publisher realized that there is an audience for whom Exile on Main Street or Electric Ladyland are as significant and worthy of study as The Catcher in the Rye or Middlemarch. The series... is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration."
"Review" by , "Ideal for the rock geek who thinks liner notes just aren't enough."
"Review" by , "One of the coolest publishing imprints on the planet."
"Review" by , "These are for the insane collectors out there who appreciate fantastic design, well-executed thinking, and things that make your house look cool. Each volume in this series takes a seminal album and breaks it down in startling minutiae. We love these. We are huge nerds."
"Review" by , "A brilliant series... each one a word of real love."
"Review" by , "Passionate, obsessive, and smart."
"Review" by , "Religious tracts for the rock 'n' roll faithful."
"Review" by , "We... aren't naive enough to think that we're your only source for reading about music (but if we had our way... watch out). For those of you who really like to know everything there is to know about an album, you'd do well to check out Continuum's 33 1/3 series of books."
"Synopsis" by , 33 1/3 is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 50 titles and is acclaimed and loved by fans, musicians and scholars alike.
"Synopsis" by ,
Marc Woodworth's book covers the album's long and unorthodox period of writing, recording, sequencing, and editing. It includes interviews with members of the band, manager Pete Jamison, web-master and GBV historian Rich Turiel and Robert Griffin of Scat Records. At least sixty-five songs were recorded and considered for the album and five distinct concepts were rejected before the band hit upon the records final form. One late version, very nearly released, contained only a few of Bee Thousand's definitive songs.

The rest were left out and nearly ended up in the boxes of cassette out-takes cluttering up Robert Pollard's basement. The story of Guided By Voices transformation from an occasional and revolving group of complete unknowns to indie-rock heroes is very much part of the story behind the making of Bee Thousand.

In addition to providing a central account of how the record was made, Woodworth devotes a substantial chapter to the album's lyrics. Robert Pollard's lyrics are described by critics, when they're described at all, as a brand of tossed-off surrealism, as if his verbal sensibility is somehow incidental to the songs themselves. Nothing could be further from the truth. Woodworth offers a sustained discussion of Pollard's work as a writer of often sublime, beautiful, and very human lyrics. 

The third key section of the book covers aesthetics. Woodworth considers the great appeal of the do-it-yourself nature of Bee Thousand and reflects on the larger importance of the strain of alternative rock for which this record is a touchstone. 

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