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Pocket Poets #0033: Fast Speaking Woman and Other Chants

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Pocket Poets #0033: Fast Speaking Woman and Other Chants Cover

 

Synopses & Reviews

Publisher Comments:

Anne Waldman takes the opportunity with this twentieth-anniversary expanded edition to add twenty poems to this collection that brings into focus her lifelong engagement with “Chant” as central to contemporary performative poetry.

Here are spells, invocations, laments, ritual rants. Archaic beliefs in magic and ecstasy meet current notions of the power of the spoken word. Waldman writes, ""The poem is a textured energy field or modal structure. The poems for performance seem to manifest as psychological states of mind. They come together in a mental, verbal, physical, and emotional form, making their particular demands on my voice and body. I am the ‘energumen.’ The poem is the experience."" Also included in this book are three essays on the oral tradition in poetry. One essay discusses the history and occasion of the title poem. The others treat such topics as performance art and poetic tradition, ethnopoetics, intoxication and transformation, Tibetan Buddhism, and the renewed ascendency of feminine energy in writing. Anne Waldman, world renowned for her high-energy poetry performances, is the author of over thirty books and chapbooks of poetry. She is the co-founder and director of The Jack Kerouac School of Disembodied Poetics at the Naropa Institute in Boulder, Colorado.

Synopsis:

Poetry. This twentieth anniversary expanded edition adds twenty poems to this collection focusing a lifelong engagement with chant structures/forms as central to contemporary performative poetry. Waldman's poetry takes the form of spells, invocations, laments, and ritual rants, combining magic and ecstasy with the power of the spoken word. Waldman says of her work: "The poem is a textured energy field or modal structure. The poems for performance seem to manifest as psychological states of mind. They come together in a mental, physical, and emotional form, making their particular demands on my voice and body. I am the 'energumen.' The poem is the experience. The text also includes three essays on the importance of oral traditions within written and spoken poetry.

About the Author

Anne Waldman, poet, professor, performer, and cultural activist is the author of over 40 books and small press editions of poetry and poetics, including most recently Manatee/Humanity and the anthology Beats at Naropa, co-edited with Laura Wright. She has participated in conferences and festivals in Beijing, Berlin, Vienna, Nicaragua and Prague and has taught recent practicums at the Zen Mountain Monastery and Naropa University. She works with writer/director Ed Bowes on a number of video/movie projects.

Product Details

ISBN:
9780872863163
Author:
Waldman, Anne
Publisher:
City Lights Books
Location:
San Francisco :
Subject:
American
Subject:
Literature
Subject:
American - General
Subject:
Poetry
Subject:
General Poetry
Subject:
Poetry-A to Z
Subject:
Single Author / American
Copyright:
Edition Number:
2
Edition Description:
Trade Paper
Series:
City Lights Pocket Poets Series
Series Volume:
0033
Publication Date:
20010131
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
Yes
Pages:
159
Dimensions:
6.2 x 4.9 x 0.5 in 5 oz

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Related Subjects

Fiction and Poetry » Anthologies » Poetry
Fiction and Poetry » Poetry » A to Z
Fiction and Poetry » Poetry » Anthologies
Health and Self-Help » Self-Help » General
History and Social Science » World History » General

Pocket Poets #0033: Fast Speaking Woman and Other Chants Used Trade Paper
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Product details 159 pages City Lights Publishers - English 9780872863163 Reviews:
"Synopsis" by , Poetry. This twentieth anniversary expanded edition adds twenty poems to this collection focusing a lifelong engagement with chant structures/forms as central to contemporary performative poetry. Waldman's poetry takes the form of spells, invocations, laments, and ritual rants, combining magic and ecstasy with the power of the spoken word. Waldman says of her work: "The poem is a textured energy field or modal structure. The poems for performance seem to manifest as psychological states of mind. They come together in a mental, physical, and emotional form, making their particular demands on my voice and body. I am the 'energumen.' The poem is the experience. The text also includes three essays on the importance of oral traditions within written and spoken poetry.
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