In the Tall Grass

As USA TODAY said of Stephen King’s Mile 81: “Park and scream. Could there be any better place to set a horror story than an abandoned rest stop?” In the Tall Grass begins with a sister and brother who pull off to the side of the road after hearing a young boy crying for help from beyond the tall grass. Within minutes they are disoriented, in deeper than seems possible, and they’ve lost one another. The boy’s cries are more and more desperate. What follows is a terrifying, entertaining, and masterfully told tale, as only Stephen King can deliver.

As USA TODAY said of Stephen King’s Mile 81: “Park and scream. Could there be any better place to set a horror story than an abandoned rest stop?” In the Tall Grass begins with a sister and brother who pull off to the side of the road after hearing a young boy crying for help from beyond the tall grass. Within minutes they are disoriented, in deeper than seems possible, and they’ve lost one another. The boy’s cries are more and more desperate. What follows is a terrifying, entertaining, and masterfully told tale, as only Stephen King and Joe Hill can deliver.

Joe Hill is the author of the New York Times bestsellers Heart-Shaped Box and Horns, and writes an ongoing comic book series, Locke and Key. He makes lots of noise on Twitter under the handle @joe_hill.

Stephen Lang’s Broadway credits include Wait Until Dark, A Few Good Men, The Speed of Darkness (Tony and Outer Critics noms), and Death of A Salesman (Drama Desk nom). Among his feature films are Last Exit to Brooklyn, Tombstone, Gettysburg, and Manhunter. His television work includes, The Fugitive, Crime Story, Babe Ruth, and Death of A Salesman.