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Guests | May 6, 2013

Benjamin Percy: IMG The Roof People



My sister slept with the light on until she was 27. She rightfully blames me. I would leap out of closets with my hands made into claws. I would... Continue »
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    Red Moon

    Benjamin Percy 9781455501663

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Conserving Contemporary Art: Issues, Methods, Materials, and Research

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Conserving Contemporary Art: Issues, Methods, Materials, and Research Cover

 

Synopses & Reviews

Synopsis:

Since the advent of the avant-garde in the early twentieth century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator's intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of materials but also a greater awareness of the artist's intellectual universe. Translated from Italian to reach a wider audience, Conserving Contemporary Art: Issues, Methods, Materials, and Research is one of the first books to give a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art. 
The book takes into account both the material and ethical aspects of contemporary art, focusing on the enormous variety of techniques and materials used by contemporary artists, and their deterioration. It also emphasizes the need to understand the meaning of these works when devising an appropriate conservation strategy. A number of chapters are dedicated to specific conservation treatments, such as cleaning and reintegration, while the many issues introduced are illustrated with a number of examples from painting, photography, sculpture, installation art, video, and web-based art. All in all, the text acts as an introduction to many of the issues with which the field is currently grappling. 
 

About the Author

Oscar Chiantore is a professor of chemistry and polymer technology at the University of Turin and has collaborated with conservators at the Tate, London, and the Getty Conservation Institute. Antonio Rava is a conservator, also based in Turin, where he has headed the conservation firm Rava & C. for over thirty years. 

Product Details

ISBN:
9781606061046
Author:
Chiantore, Oscar
Publisher:
Getty Conservation Institute
Author:
Rava, Antonio
Subject:
Art - General
Subject:
Art-Miscellaneous Techniques
Copyright:
Edition Description:
1
Publication Date:
20130131
Binding:
TRADE PAPER
Language:
English
Illustrations:
180 color, 37 b/w
Pages:
332
Dimensions:
9.38 x 6.5 in

Related Subjects

Arts and Entertainment » Art » Conservation and Preservation
Arts and Entertainment » Art » General
Arts and Entertainment » Art » Miscellaneous Techniques
Arts and Entertainment » Art » Technique
Engineering » Civil Engineering » General
Science and Mathematics » Agriculture » Animal Husbandry
Travel » General

Conserving Contemporary Art: Issues, Methods, Materials, and Research New Trade Paper
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$58.95 In Stock
Product details 332 pages Getty Conservation Institute - English 9781606061046 Reviews:
"Synopsis" by , Since the advent of the avant-garde in the early twentieth century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator's intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of materials but also a greater awareness of the artist's intellectual universe. Translated from Italian to reach a wider audience, Conserving Contemporary Art: Issues, Methods, Materials, and Research is one of the first books to give a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art. 
The book takes into account both the material and ethical aspects of contemporary art, focusing on the enormous variety of techniques and materials used by contemporary artists, and their deterioration. It also emphasizes the need to understand the meaning of these works when devising an appropriate conservation strategy. A number of chapters are dedicated to specific conservation treatments, such as cleaning and reintegration, while the many issues introduced are illustrated with a number of examples from painting, photography, sculpture, installation art, video, and web-based art. All in all, the text acts as an introduction to many of the issues with which the field is currently grappling. 
 
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