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Original Essays | September 15, 2014

Lois Leveen: IMG Forsooth Me Not: Shakespeare, Juliet, Her Nurse, and a Novel



There's this writer, William Shakespeare. Perhaps you've heard of him. He wrote this play, Romeo and Juliet. Maybe you've heard of it as well. It's... Continue »
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    Juliet's Nurse

    Lois Leveen 9781476757445

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1 Remote Warehouse Film and Television- History and Criticism
13 Remote Warehouse Film and Television- Reference

This title in other editions

Cinematic Fictions: The Impact of the Cinema on the American Novel Up to World War II

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Cinematic Fictions: The Impact of the Cinema on the American Novel Up to World War II Cover

 

Synopses & Reviews

Publisher Comments:

The phrase 'cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? From its very beginnings the cinema has played a special role in defining American culture. Covering the period from the 1910s up to the Second World War, Cinematic Fictions offers new insights into classics like The Great Gatsby and The Grapes of Wrath discussing major writers' critical writings on film and active participation in film-making. Cinematic Fictions is also careful not to portray 'cinema' as a single or stable entity. Some novelists drew on silent film; others looked to the Russian theorists for inspiration; and yet others turned to continental film-makers rather than to Hollywood. Film itself was constantly evolving during the first decades of the twentieth century and the writers discussed here engaged in a kind of dialogue with the new medium, selectively pursuing strategies of montage, limited point of view and scenic composition towards their different ends. Contrasting a diverse range of cinematic and literary movements, this will be compulsory reading for scholars of American literature and film.

About the Author

David Seed is Professor of English at the University of Liverpool.

Table of Contents

Introduction

1. Beginnings

2. Modernist Experiments: Gertrude Stein and Others

3. H.D. and the Limits of Vision

4. Ernest Hemingway: The Observer's Visual Field

5. Success and Stardom in F. Scott Fitzgerald

6. William Faulkner: Perspective Experiments

7. John Dos Passos and the Art of Montage

8. Dreiser, Eisenstein and Upton Sinclair

9. Documentary of the 1930s

10. John Steinbeck: Extensions of Documentary

11. Taking Possession of the Images: African American Writers and the Cinema

12. Into the Night Life: Henry Miller and Anaïs Nin

13. Nathanael West and the Hollywood Novel

Bibliography

Index

Product Details

ISBN:
9781846318122
Author:
Seed, David
Publisher:
Liverpool University Press
Subject:
Film and Television-Reference
Subject:
Film - General
Subject:
Film - History & Criticism
Subject:
Film and Television-History and Criticism
Edition Description:
Paperback
Publication Date:
20131231
Binding:
TRADE PAPER
Language:
English
Pages:
288
Dimensions:
9 x 6 in

Related Subjects

Arts and Entertainment » Art » General
Arts and Entertainment » Film and Television » History and Criticism
Arts and Entertainment » Film and Television » Reference
Humanities » Literary Criticism » General

Cinematic Fictions: The Impact of the Cinema on the American Novel Up to World War II New Trade Paper
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