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Dan Graham: Rock My Religion (Afterall)

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Dan Graham: Rock My Religion (Afterall) Cover

 

Synopses & Reviews

Publisher Comments:

andlt;Pandgt;Dan Graham's andlt;Iandgt; Rock My Religionandlt;/Iandgt; (1982--1984) is a video essay populated by punk and rock performers (Patti Smith, Jim Morrison, Jerry Lee Lewis, and Eddie Cochran) and historical figures (including Ann Lee, founder of the Shakers). It represented a coming together of narrative voice-overs, singing and shouting voices, and jarring sounds and overlaid texts that proposed a historical genealogy of rock music and an ambitious thesis about the origins of North America's popular culture. Because of its passionate embrace of underground music, its low-fi aesthetics, interest in politics, and liberal approach to historiography, the video has become a landmark work in the history of contemporary moving image and art; but it has remained, possibly for the same reasons, one of Graham's least written about works--underappreciated and possibly misunderstood by the critics who otherwise celebrate him. This illustrated study of Graham's groundbreaking work fills that critical gap. Kodwo Eshun examines andlt;Iandgt;Rock My Religion andlt;/Iandgt;not only in terms of contemporary art and Graham's wider body of work but also as part of the broader culture of the time. He explores the relationship between Graham and New York's underground music scene of the 1980s, connecting the artistic methods of the No Wave bands--especially their group dynamics and relationship to the audience--and andlt;Iandgt;Rock My Religionandlt;/Iandgt;'s treatment of working class identity and culture.andlt;/Pandgt;

Synopsis:

Dan Graham's Rock My Religion (1982--1984) is a video essay populated by punk and rock performers (Patti Smith, Jim Morrison, Jerry Lee Lewis, and Eddie Cochran) and historical figures (including Ann Lee, founder of the Shakers). It represented a coming together of narrative voice-overs, singing and shouting voices, and jarring sounds and overlaid texts that proposed a historical genealogy of rock music and an ambitious thesis about the origins of North America's popular culture. Because of its passionate embrace of underground music, its low-fi aesthetics, interest in politics, and liberal approach to historiography, the video has become a landmark work in the history of contemporary moving image and art; but it has remained, possibly for the same reasons, one of Graham's least written about works--underappreciated and possibly misunderstood by the critics who otherwise celebrate him. This illustrated study of Graham's groundbreaking work fills that critical gap. Kodwo Eshun examines Rock My Religion not only in terms of contemporary art and Graham's wider body of work but also as part of the broader culture of the time. He explores the relationship between Graham and New York's underground music scene of the 1980s, connecting the artistic methods of the No Wave bands--especially their group dynamics and relationship to the audience--and Rock My Religion's treatment of working class identity and culture.

About the Author

Kodwo Eshun lectures in Aural and Visual Culture at Goldsmiths College, University of London. In 2002 he cofounded, with Anjalika Sagar, The Otolith Group, a collective working across film and video, artists' writing, and exhibition curation. He is the author of More Brilliant than the Sun: Adventures in Sonic Fiction and has written for publications including The Guardian, The Wire, and frieze.

Product Details

ISBN:
9781846380853
Subtitle:
Rock My Religion
Author:
Eshun, Kodwo
Publisher:
The MIT Press
Location:
Cambridge
Subject:
Music - General
Series:
AFTERALL Dan Graham
Publication Date:
20120727
Binding:
Hardback
Grade Level:
from 17
Language:
English
Illustrations:
32 color illus.
Pages:
112
Dimensions:
8.5 x 6 in

Related Subjects

Arts and Entertainment » Art » Film and Video
Arts and Entertainment » Art » Individual Artists » Essays
Arts and Entertainment » Music » General
Arts and Entertainment » Music » Genres and Styles » Punk

Dan Graham: Rock My Religion (Afterall) New Hardcover
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Product details 112 pages MIT Press (MA) - English 9781846380853 Reviews:
"Synopsis" by , Dan Graham's Rock My Religion (1982--1984) is a video essay populated by punk and rock performers (Patti Smith, Jim Morrison, Jerry Lee Lewis, and Eddie Cochran) and historical figures (including Ann Lee, founder of the Shakers). It represented a coming together of narrative voice-overs, singing and shouting voices, and jarring sounds and overlaid texts that proposed a historical genealogy of rock music and an ambitious thesis about the origins of North America's popular culture. Because of its passionate embrace of underground music, its low-fi aesthetics, interest in politics, and liberal approach to historiography, the video has become a landmark work in the history of contemporary moving image and art; but it has remained, possibly for the same reasons, one of Graham's least written about works--underappreciated and possibly misunderstood by the critics who otherwise celebrate him. This illustrated study of Graham's groundbreaking work fills that critical gap. Kodwo Eshun examines Rock My Religion not only in terms of contemporary art and Graham's wider body of work but also as part of the broader culture of the time. He explores the relationship between Graham and New York's underground music scene of the 1980s, connecting the artistic methods of the No Wave bands--especially their group dynamics and relationship to the audience--and Rock My Religion's treatment of working class identity and culture.
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