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World Art: An Introduction to the Art in Artefacts. Ben Burtby Ben Burt
Synopses & Reviews
What do we mean by 'art'? As a category of objects, the concept belongs to a Western cultural tradition, originally European and now increasingly global, but how useful is it for understanding other traditions? To understand art as a universal human value, we need to look at how the concept was constructed in order to reconstruct it through an understanding of the wider world.
Western art values have a pervasive influence upon non-Western cultures and upon Western attitudes to them. This innovative yet accessible new text explores the ways theories of art developed as Western knowledge of the world expanded through exploration and trade, conquest, colonisation and research into other cultures, present and past. It considers the issues arising from the historical relationships which brought diverse artistic traditions together under the influence of Western art values, looking at how art has been used by colonisers and colonised in the causes of collecting and commerce, cultural hegemony and autonomous identities.
World Art questions conventional Western assumptions from an anthropological perspective which allows comparison between cultures. It treats art as a property of artefacts rather than a category of objects, reclaiming the idea of 'world art' from the 'art world'.
This book is essential reading for all students on anthropology of art courses as well as students of museum studies and art history, based on a wide range of case studies and supported by learning features such as annotated further reading and chapter opening summaries.
Based on an excellent range of case studies and supported throughout by useful learning features, World Art explores the concept of 'art' as understood by cultures across the globe. This invaluable textbook is essential reading for all anthropology of art students, as well as students of museum studies and art history.
About the Author
Ben Burt teaches world art for Birkbeck College, University of London. He has worked for the British Museum for almost forty years, as an anthropologist, educator and curator in what is now the department of Africa, Oceania and Americas. His publications include museum educational materials and several books on the culture and history of Solomon Islands.
Table of Contents
PrefaceIntroduction: The Art in ArtefactsPart I: Western Perspectives Chapter 1 - The Origins of ArtChapter 2 - Classical ArtChapter 3 - Oriental ArtChapter 4 - Primitive ArtChapter 5 - Prehistoric ArtPart II: Cross-cultural PerspectivesChapter 6 - FormChapter 7 - MeaningChapter 8 - PerformanceChapter 9 - ArchaeologyChapter 10 - The Work of ArtPart III: Artistic Globalisation Chapter 11 - The Art WorldChapter 12 - The Exotic PrimitiveChapter 13 - Marketing Exotic ArtChapter 14 - Artistic ColonialismChapter 15 - The Global and the LocalAfterwordReferencesIndex
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