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1 Beaverton Art- Victorian Romantic

This title in other editions

Symbolism

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Symbolism Cover

 

Synopses & Reviews

Publisher Comments:

"To clothe the idea in perceptible form," proposed the poet Jean Moréas in his 1886 Manifesto of Symbolism. It was in France and Belgium, the cradles of literary Symbolism, that Symbolist painting was born. It plunged headlong into the cultural space opened up by the poetry of Baudelaire and Mallarmé and by the operas of Wagner. Symbolist painters sought not to represent appearances but to express "the Idea," and the imaginary therefore plays an important part in their work. "Dream" was their credo; they execrated, with a fanatical hatred, impressionism, realism, naturalism, and the scientistic. The main principle of Symbolism, that of "correspondences," was to attain harmony between all the different arts, or even to realise the total work of art (Gesamtkunstwerk) that Wagner had dreamt of creating. What we rediscover today, after a period of neglect, is this: Symbolist painting is essential to our understanding of modern art, not only because it spread across the world like wildfire, creating disciples from Russia to the United States, from Northern Europe to the Mediterranean, but because it was the source of a series of mutations without which modern art would not be what it is.

Product Details

ISBN:
9783822850329
Author:
Gibson, Michael
Publisher:
Taschen
Author:
Neret, Gilles
Subject:
History - Symbolism
Subject:
Art-History and Criticism
Copyright:
Edition Description:
Anniversary
Publication Date:
20060131
Binding:
Paperback
Language:
English
Illustrations:
Y
Pages:
255
Dimensions:
11.92x9.36x.96 in. 3.70 lbs.

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Related Subjects

Arts and Entertainment » Art » 16th to 19th Century
Arts and Entertainment » Art » History and Criticism
Arts and Entertainment » Art » Painting » General
Arts and Entertainment » Art » Pre Raphaelite
Arts and Entertainment » Art » Victorian Romantic

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