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Powell's Q&A | September 3, 2014

Emily St. John Mandel: IMG Powell’s Q&A: Emily St. John Mandel



Describe your latest book. My new novel is called Station Eleven. It's about a traveling Shakespearean theatre company in a post-apocalyptic North... Continue »
  1. $17.47 Sale Hardcover add to wish list

    Station Eleven

    Emily St. John Mandel 9780385353304

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Symbolism

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Symbolism Cover

 

Synopses & Reviews

Synopsis:

The year 1884 saw the appearance in Paris of a fin de sicle cult novel that was celebrated as an altogether perverse sensation on the European cultural scene. The title of the book was A Rebours (translated both as Against the Grain and Against Nature). Its author Joris-Karl Huysmans wrote it as a seductive textbook of decadence, as an antidote to banal naturalism or realism. Symbolism, whose influence was felt well into the modernist era, was an artistic religion-substitute, a spiritually charged cult of beauty. A Symbolist picture or sculpture is mysterious on purpose. In place of intellectual comprehension, the work seeks to have the beholder experience its mysterious depth like a vision. It is no wonder that Symbolists created some of the most fascinating artworks of their age.

Product Details

ISBN:
9783822854822
Author:
Wolf, Norbert
Publisher:
Taschen
Author:
Wolf, Dr Norbert
Subject:
History - Modern (Late 19th Century to 1945)
Subject:
History - Romanticism
Subject:
Art - General
Publication Date:
20090731
Binding:
TRADE PAPER
Language:
English
Illustrations:
Y
Pages:
96
Dimensions:
9.06x7.26x.39 in. .79 lbs.

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Related Subjects

Arts and Entertainment » Art » 16th to 19th Century
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Arts and Entertainment » Art » History » Romanticism
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Arts and Entertainment » Art » Victorian Romantic
Arts and Entertainment » Sale Books
Health and Self-Help » Health and Medicine » Medical Specialties

Symbolism New Trade Paper
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Product details 96 pages Taschen - English 9783822854822 Reviews:
"Synopsis" by , The year 1884 saw the appearance in Paris of a fin de sicle cult novel that was celebrated as an altogether perverse sensation on the European cultural scene. The title of the book was A Rebours (translated both as Against the Grain and Against Nature). Its author Joris-Karl Huysmans wrote it as a seductive textbook of decadence, as an antidote to banal naturalism or realism. Symbolism, whose influence was felt well into the modernist era, was an artistic religion-substitute, a spiritually charged cult of beauty. A Symbolist picture or sculpture is mysterious on purpose. In place of intellectual comprehension, the work seeks to have the beholder experience its mysterious depth like a vision. It is no wonder that Symbolists created some of the most fascinating artworks of their age.
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