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    The word "idiom" originates in the Greek word ídios ("one's own") and means "special feature" or "special phrasing." Idioms are peculiar because,... Continue »
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3 Burnside Literature- A to Z

This title in other editions

Collected Stories (P.S.)

by

Collected Stories (P.S.) Cover

 

Synopses & Reviews

Publisher Comments:

With the profound maturity and exquisite eye for detail that never failed to capture readers of her prize-winning novels, Carol Shields dazzles with these remarkable stories. Generous, delightful, and acutely observed, this essential collection illuminates the miracles that grace our lives; it will continue to enchant for years to come.

Review:

"Shields, who died in 2003, was best known for her novels (The Stone Diaries; Unless), though she published three collections of stories over as many decades, here elegantly gathered and introduced by fellow Canadian and friend Margaret Atwood. Appearing first is her last unpublished tale, 'Segue,' about an aging couple in failing health-he a famous novelist, she a writer of sonnets-who grow apart as they take 'responsibility for [their] own dying bodies.' The story serves as a poignant tribute. Overall, Shields's touch is gorgeously light, her tales capturing brief, evanescent moments in the busy lives of couples, mothers and lonely wives. If a few entries seem too brief or lack development, 'Hazel' (from The Orange Fish) demonstrates all the elements of Shields's mastery: an ordinary widow, perhaps too polite for her own good, finds a satisfying job as an itinerant kitchen demonstrator and discovers that her timidity and self-effacement can actually be turned to her advantage. From the same collection, the story 'Collision' draws on Shields's extended travels and is set in a 'small ellipsoid state in eastern Europe,' where two lonely people of exotically different background and language collide on a rainy night; the story pursues a separate 'biography' of each of the lovers with 'every narrative scrap... equally honored.' In 'Edith-Esther,' a story from Shields's last collection, the author prophetically portrays the eponymous protagonist, an 80-year-old novelist, as a 'rare bird,' pestered by her biographer for 'some spiritual breeze' he can put into his book about her. She resists, but the biographer reworks her life the way he wants and in the end, to her dismay, refashions her work as uplifting — the last thing she intended it to be. Uplifting or not, this is a volume full of grace and wisdom." Publishers Weekly (Copyright Reed Business Information, Inc.)

About the Author

Carol Shields was born in Chicago and lived in Canada for most of her life. She is the author of three short story collections and eight novels, including the Pulitzer Prize — winning The Stone Diaries and Larry's Party, winner of the Orange Prize.

Product Details

ISBN:
9780060762049
Author:
Shields, Carol
Publisher:
Harper Perennial
Introduction by:
Atwood, Margaret
Introduction:
Atwood, Margaret
Author:
Cole, Henry
Subject:
Short Stories (single author)
Subject:
Stories (single author)
Subject:
Animals - Mice Hamsters Guinea Pigs etc.
Subject:
Literature-A to Z
Copyright:
Edition Description:
Trade PB
Series:
P.S.
Publication Date:
20051131
Binding:
TRADE PAPER
Grade Level:
from 3 to 7
Language:
English
Pages:
632
Dimensions:
8.08x5.36x1.08 in. 1.08 lbs.
Age Level:
from 8 to 12

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Related Subjects

Fiction and Poetry » Literature » A to Z

Collected Stories (P.S.) Used Trade Paper
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$2.95 In Stock
Product details 632 pages Perennial - English 9780060762049 Reviews:
"Publishers Weekly Review" by , "Shields, who died in 2003, was best known for her novels (The Stone Diaries; Unless), though she published three collections of stories over as many decades, here elegantly gathered and introduced by fellow Canadian and friend Margaret Atwood. Appearing first is her last unpublished tale, 'Segue,' about an aging couple in failing health-he a famous novelist, she a writer of sonnets-who grow apart as they take 'responsibility for [their] own dying bodies.' The story serves as a poignant tribute. Overall, Shields's touch is gorgeously light, her tales capturing brief, evanescent moments in the busy lives of couples, mothers and lonely wives. If a few entries seem too brief or lack development, 'Hazel' (from The Orange Fish) demonstrates all the elements of Shields's mastery: an ordinary widow, perhaps too polite for her own good, finds a satisfying job as an itinerant kitchen demonstrator and discovers that her timidity and self-effacement can actually be turned to her advantage. From the same collection, the story 'Collision' draws on Shields's extended travels and is set in a 'small ellipsoid state in eastern Europe,' where two lonely people of exotically different background and language collide on a rainy night; the story pursues a separate 'biography' of each of the lovers with 'every narrative scrap... equally honored.' In 'Edith-Esther,' a story from Shields's last collection, the author prophetically portrays the eponymous protagonist, an 80-year-old novelist, as a 'rare bird,' pestered by her biographer for 'some spiritual breeze' he can put into his book about her. She resists, but the biographer reworks her life the way he wants and in the end, to her dismay, refashions her work as uplifting — the last thing she intended it to be. Uplifting or not, this is a volume full of grace and wisdom." Publishers Weekly (Copyright Reed Business Information, Inc.)
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