Dave at Night

If nobody wants him, that's fine.He'll just take care of himself.

When his father dies, Dave knows nothing will ever be thesame. And then it happens. Dave lands in an orphanage — the cold and strict Hebrew Home for Boys in Harlem — far from the life he knew on the Lower East Side. But he's not so worried. He knows he'll be okay. He always is. If it doesn't work out, he'll just leave, find a better place to stay. But it's not that simple.

Outside the gates of the orphanage, the nighttime streets of Harlem buzz with jazz musicians and swindlers; exclusive parties and mystifying strangers. Inside, another world unfolds, thick with rare friendships and bitter enemies. Perhaps somewhere, among it all, Dave can find a place that feels like home.

When orphaned Dave is sent to New York's Hebrew Home for Boys in 1926 where he is treated cruelly, he sneaks out at night and is welcomed into the music and culture-filled world of the Harlem Renaissance.

Gail Carson Levine grew up in New York City and has been writing all her life. Her first book for children, Ella Enchanted, was a 1998 Newbery Honor Book. Levine's other books include Dave At Night, an ALA Notable Book and Best Book for Young Adults; The Wish; The Two Princesses of Bamarre; and the other five Princess Tales books: The Princess Test, The Fairy's Mistake, Princess Sonora and the Long Sleep, Cinderellis and the Glass Hill, and The Fairy's Return. She is also the author of the picture book Betsy Who Cried Wolf, illustrated by Scott Nash. Gail, her husband, David, and their Airedale, Baxter, live in a two-hundred-year-old farmhouse in the Hudson River Valley.

In Her Own Words...

"EIla Enchanted began in a marvelous writing course at New York City's The New School. I had to write something and couldn't think of a plot, so I decided to write a Cinderella story because it already had a plot! Then, when I thought about Cinderella's character, I realized that she was too much of a goody-two-shoes for me and I would hate her before I finished ten pages. That's when I came up with the curse: she's only good because she has to be, and she's in constant rebellion.

"As a child I loved fairy tales because the story, the what-comes-next, is paramount. As an adult I'm fascinated by their logic and illogic. Ella's magic book gave me the chance to answer a question that always plagued me about The Shoemaker and the Elves: why the elves abandon the shoemaker. I came up with one answer, but many are possible — and I think the real solution goes to the heart of gratitude and recognition, an example of the depth in fairy tales.

"I grew up in New York City. In elementary school I was a charter member of the Scribble Scrabble Club, and in high school my poems were published in an anthology of student poetry. I didn't want to be a writer. First I wanted to act and then I wanted to be a painter like my big sister. In college, I was a Philosophy major, and my prose style was very dry and dull! My interest in the theater led me to my first writing experience as an adult. My husband David wrote the music and lyrics and I wrote the book for a children's musical, Spacenapped that was produced by a neighborhood theater in Brooklyn.

"And my painting brought me to writing for children in earnest. I took a class in writing and illustrating children's books and found that I was much more interested in the writing than in the illustrating.

"Most of my job life has had to do with welfare, first helping people find work and then as an administrator. The earlier experience was more direct and satisfying, and I enjoy thinking that a bunch of people somewhere are doing better today than they might have done if not for me."