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Original Essays | May 3, 2013

Emily St. John Mandel: IMG The Festivals



When it happens, it feels like winning the lottery. An email arrives out of the blue, from one of my publishers or a festival director or a member... Continue »
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Evenings at Five

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Evenings at Five Cover

 

Synopses & Reviews

Publisher Comments:

Every evening at five o’clock, Christina and Rudy stopped work and began the ritual commonly known as Happy Hour. Rudy mixed Christina’s drink with loving precision, the cavalier slosh of Bombay Sapphire over ice shards, before settling across from her in his Stickley chair with his glass of Scotch. They shared a love of language and music (she is an author, he a composer, after all), a delight in intense conversation, a fascination with popes, and nearly thirty years of life together.

What did I think, that we had forever? muses Christina, seven months after Rudy’s unexpected death. While coming to terms with her loss, with the space that Rudy once inhabited, Christina reflects on their vibrant bond—with all its quirks, habits, and unguarded moments—as well as her passionate sorrow and her attempts to reposition herself and her new place in the very real world they shared.

In this literary jewel, a bittersweet novella of absence and presence and the mysterious gap between them, Gail Godwin has performed a small miracle. In essence, Evenings at Five is a grief sonata for solo instrument transposed into words. Interwoven with meditations and movements, full of aching truths and a wicked sense of humor, it exquisitely captures the cyclical nature of commitment—and the eternal quality of a romance completed.

Synopsis:

A woman reflects on the 30 years of rituals she shared with her recently deceased husband. A literary jewel, "Evenings at Five" captures the cyclical nature of commitment--and the eternal quality of a romance completed.

Synopsis:

Every evening at five o’clock, Christina and Rudy stopped work and began the ritual commonly known as Happy Hour. Rudy mixed Christina’s drink with loving precision, the cavalier slosh of Bombay Sapphire over ice shards, before settling across from her in his Stickley chair with his glass of Scotch. They shared a love of language and music (she is an author, he a composer, after all), a delight in intense conversation, a fascination with popes, and nearly thirty years of life together.

What did I think, that we had forever? muses Christina, seven months after Rudy’s unexpected death. While coming to terms with her loss, with the space that Rudy once inhabited, Christina reflects on their vibrant bond—with all its quirks, habits, and unguarded moments—as well as her passionate sorrow and her attempts to reposition herself and her new place in the very real world they shared.

In this literary jewel, a bittersweet novella of absence and presence and the mysterious gap between them, Gail Godwin has performed a small miracle. In essence, Evenings at Five is a grief sonata for solo instrument transposed into words. Interwoven with meditations and movements, full of aching truths and a wicked sense of humor, it exquisitely captures the cyclical nature of commitment—and the eternal quality of a romance completed.

Product Details

ISBN:
9780345461025
Author:
Godwin
Publisher:
Random House
Location:
New York
Subject:
General
Subject:
Marriage
Subject:
Grief
Subject:
Bereavement
Subject:
Widows
Subject:
Spouses
Subject:
Domestic fiction
Edition Number:
1st ed.
Series Volume:
855.
Publication Date:
April 2003
Binding:
Hardcover
Language:
English
Illustrations:
Yes
Pages:
128
Dimensions:
7.70x5.04x.64 in. .49 lbs.

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Related Subjects

Fiction and Poetry » Literature » A to Z

Evenings at Five Used Hardcover
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Product details 128 pages Ballantine Books - English 9780345461025 Reviews:
"Synopsis" by , A woman reflects on the 30 years of rituals she shared with her recently deceased husband. A literary jewel, "Evenings at Five" captures the cyclical nature of commitment--and the eternal quality of a romance completed.
"Synopsis" by , Every evening at five o’clock, Christina and Rudy stopped work and began the ritual commonly known as Happy Hour. Rudy mixed Christina’s drink with loving precision, the cavalier slosh of Bombay Sapphire over ice shards, before settling across from her in his Stickley chair with his glass of Scotch. They shared a love of language and music (she is an author, he a composer, after all), a delight in intense conversation, a fascination with popes, and nearly thirty years of life together.

What did I think, that we had forever? muses Christina, seven months after Rudy’s unexpected death. While coming to terms with her loss, with the space that Rudy once inhabited, Christina reflects on their vibrant bond—with all its quirks, habits, and unguarded moments—as well as her passionate sorrow and her attempts to reposition herself and her new place in the very real world they shared.

In this literary jewel, a bittersweet novella of absence and presence and the mysterious gap between them, Gail Godwin has performed a small miracle. In essence, Evenings at Five is a grief sonata for solo instrument transposed into words. Interwoven with meditations and movements, full of aching truths and a wicked sense of humor, it exquisitely captures the cyclical nature of commitment—and the eternal quality of a romance completed.

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