I started and finished A Sense of Direction in one evening; I couldn't really stop thinking about it, so I couldn't put it down. I found it...
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Everyone's favorite playboy-turned-sleuth, Archy McNally, is back in Palm Beach. This time, he's investigating the deathstyles of the rich and famous--in particular, a strange increase in business at the posh funeral homes owned by the wealthy Whitcomb clan. There seem to be more caskets than corpses and more family secrets than family members.
Synopsis:
Archy basks in the sun and sin of Palm Beach--where the rich count their schemes before they're hatched.
"Lawrence Sanders has honed a voice for Archy McNally that is wonderfully infectious. You can't help falling for him!" --Washington Times
This one opened with a fast-moving, jazzy rescue of a kidnaped child, capturing me with Archy?s warmth to the victim?s father, and the hint of a crime to come which was billed to be more heinous than a child kidnaping.
Following quickly on the heals of the rescue, I settled into the main plot, riding along with Archy?s loving machinations in prep for his father?s birthday dinner, after which the family cocktail hour sported the pater?s introduction to Archy of his new assignment. The mater was invited into the act by a request from her husband to describe how her friend and contemporary, Edythe Westmore, a client of the McNally law firm, seemed to have been taken in by a flimflam financial advisor with egg on his agenda, which would eventually be on his face, if justice prevailed and Archy?s Discrete Investigations got a clue.
No unsettling, Gothic castle with Adams family cast offs in this one. Whereas McNally?s CAPER captured like a dark, luxuriously rich ale, GAMBLE captured with quality champagne easing the pain of a soured budget diminishing in a cash flop (executed by the financial wizard fop).
Archy fizzed nicely through this plot with just the right amount of bubble and bounce, keeping the light hearted intrigue moving until the enigma-of-the-egg enhanced entertainment to arrive at an all time high in this series.
One of Archy?s enduring and endearing characters, the old, moldy, Antique shop owner, Sydney Smythe warmed his way into my heart in this one, worming in through a few choice words from Sanders describing Mr. Smythe?s actions and reactions to Archy?s interjections. It?s amazing how much empathy for a character Sanders develops with light, limited touches of syntax, especially in contrast to the heavyweight, plethora of mouth-fulls he pours through Archy?s mug.
Given the entertaining way Archie danced his way through this plot labyrinth and its resolution, if GAMBLE were to become a movie, it may have to be billed as a complexly delightful musical, no con intended.
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