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Yellow Dog

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Review-A-Day

"To give Yellow Dog its due, however, it's often witty, fun, and funny ('For the time being she looked like a thrillingly ardent woodland creature in an animated cartoon'), and Amis is still one of the best dialogue-writers around ('Seafood is bullshit. I want meat.'). Yellow Dog contains plenty of amusing sentences, but it does not contain, I fear, that one thing that made Money and London Fields the august and classic novels they are: truth." Adrienne Miller, Esquire (read the entire Esquire review)

Synopses & Reviews

Publisher Comments:

Martin Amis's brilliant and controversial new novel, already hailed in the British press as "Dickens with a snarl" and a "great comic extravagance."

After Xan Meo is brutally attacked in the garden of a London pub and suffers a severe head trauma, his wife and daughters find they are living with a stranger — unpredictable, violent, vengeful, lost: "His condition felt like the twenty-first century: it was something you wanted to wake up from."

While it may alarm his family, Xan's new personality is a good match for the city and the age in which he lives. For this is the vicious London of tabloid journalist Clint Smoker, whose daily reports of illicit sex and outrageous scandal are every bit as fake (and artful) as the noose tattooed around his neck. This is a world where the King of England keeps a Chinese mistress in Paris and tries to suppress a video-taped, bathtub "intrusion" of his fifteen- year-old daughter from reaching the Internet. A world of hit men, pornographers, tycoons, and displaced royalty. A world where brilliant people perform unspeakable acts and bodyguards provide no protection.

Yellow Dog is Martin Amis at his dazzling best — comic, fierce, gritty, and profound. Amis explores what is changeless and perhaps unchangeable: patriarchy and the entire edifice of masculinity; the violence arising between man and man; the tortuous alliances between men and women; and the vanished dream that we can protect our future and our progeny.

Review:

"[T]he prose is brilliant and often hilarious, and the insights into contemporary culture are disturbingly prescient....But the book's many successes cannot hide its...overly complex and needlessly opaque narrative structure." Publishers Weekly

Review:

"The narrative stream is thick...and...kind of loud, like the ramblings of an extremely entertaining if rather boozy raconteur in a noisy pub....Raucous, confusing, hilarious, and...furiously intelligent and touching." Kirkus Reviews

Review:

"A sloppy, maddening, hilarious, and oddly touching amalgam of Evelyn Waugh and John Waters, Amis' wicked burlesque evinces his disgust with the herd mentality and a surprisingly tender regard for women." Donna Seaman, Booklist

Review:

"[R]eads like a sendup of a Martin Amis novel....Mr. Amis's celebrated love of language wilts in these pages into silly and mindless wordplay, while his mastery of postmodern pyrotechnics withers into an excuse for lazy craftsmanship..." Michiko Kakutani, The New York Times

Review:

"[Y]our first reaction on reading a novel as mind-tinglingly good as Yellow Dog is not so much admiration as a kind of grateful despair. Mostly this is because, like all great writers, he seems to have guessed what you thought about the world, and then expressed it far better than you ever could." Robert Douglas-Fairhurst, The Observer (London)

Review:

"Yellow Dog may not be the deepest, most Booker-worthy novel Amis ever wrote, but it's such nasty, inventive, satisfying fun that his critics will be panting with envy." Donald Morrison, Time Europe

Review:

"That all of these disparate plots connect in an intelligent and hilarious fashion is to Amis's credit, but readers might also be distracted by the persistent misogyny, which...leaves an unsettling cloud over the work. Highly recommended." Library Journal

Review:

"Martin Amis at his best, in all his shifting registers, his drolleries and ferocities, his unsparing comic drive, his aesthetic dawdlings and beguilements, his wry, confident relish of his own astonishing effects." Alan Hollinghurst, The Guardian (U.K.)

Review:

"Amis has produced a novel unworthy of his talent....Yellow Dog isn't bad as in not very good or slightly disappointing. It's not-knowing-where-to-look bad." Tibor Fischer, The Daily Telegraph (U.K.)

Review:

"Yellow Dog shows [Amis] to be once again operating his craft at the level of his 1980s work, Money and London Fields....It is also marked by a gathering ferocity, a desire to genuinely disturb, that feels new." Charles Foran, The Toronto Globe and Mail

Synopsis:

From the man the New York Times calls "the best American writer England has ever produced" comes a brilliant and unsettling novel of sex, royalty, and violence.

About the Author

Martin Amis lives in London.

Product Details

ISBN:
9781401352035
Author:
Amis, Martin
Publisher:
Hyperion Books
Location:
New York
Subject:
General
Subject:
London
Subject:
Psychological fiction
Subject:
General Fiction
Subject:
Literature-A to Z
Copyright:
Edition Number:
1st ed.
Edition Description:
Hardcover
Series Volume:
no. 141
Publication Date:
November 2003
Binding:
HARDCOVER
Grade Level:
General/trade
Language:
English
Pages:
352
Dimensions:
9.25 x 6.125 in 21.52 oz
Age Level:
Adult

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Related Subjects

Fiction and Poetry » Literature » A to Z

Yellow Dog Used Hardcover
0 stars - 0 reviews
$9.95 In Stock
Product details 352 pages Hyperion Books - English 9781401352035 Reviews:
"Publishers Weekly Review" by , "[T]he prose is brilliant and often hilarious, and the insights into contemporary culture are disturbingly prescient....But the book's many successes cannot hide its...overly complex and needlessly opaque narrative structure." Publishers Weekly
"Review A Day" by , "To give Yellow Dog its due, however, it's often witty, fun, and funny ('For the time being she looked like a thrillingly ardent woodland creature in an animated cartoon'), and Amis is still one of the best dialogue-writers around ('Seafood is bullshit. I want meat.'). Yellow Dog contains plenty of amusing sentences, but it does not contain, I fear, that one thing that made Money and London Fields the august and classic novels they are: truth." (read the entire Esquire review)
"Review" by , "The narrative stream is thick...and...kind of loud, like the ramblings of an extremely entertaining if rather boozy raconteur in a noisy pub....Raucous, confusing, hilarious, and...furiously intelligent and touching."
"Review" by , "A sloppy, maddening, hilarious, and oddly touching amalgam of Evelyn Waugh and John Waters, Amis' wicked burlesque evinces his disgust with the herd mentality and a surprisingly tender regard for women."
"Review" by , "[R]eads like a sendup of a Martin Amis novel....Mr. Amis's celebrated love of language wilts in these pages into silly and mindless wordplay, while his mastery of postmodern pyrotechnics withers into an excuse for lazy craftsmanship..."
"Review" by , "[Y]our first reaction on reading a novel as mind-tinglingly good as Yellow Dog is not so much admiration as a kind of grateful despair. Mostly this is because, like all great writers, he seems to have guessed what you thought about the world, and then expressed it far better than you ever could."
"Review" by , "Yellow Dog may not be the deepest, most Booker-worthy novel Amis ever wrote, but it's such nasty, inventive, satisfying fun that his critics will be panting with envy."
"Review" by , "That all of these disparate plots connect in an intelligent and hilarious fashion is to Amis's credit, but readers might also be distracted by the persistent misogyny, which...leaves an unsettling cloud over the work. Highly recommended."
"Review" by , "Martin Amis at his best, in all his shifting registers, his drolleries and ferocities, his unsparing comic drive, his aesthetic dawdlings and beguilements, his wry, confident relish of his own astonishing effects."
"Review" by , "Amis has produced a novel unworthy of his talent....Yellow Dog isn't bad as in not very good or slightly disappointing. It's not-knowing-where-to-look bad."
"Review" by , "Yellow Dog shows [Amis] to be once again operating his craft at the level of his 1980s work, Money and London Fields....It is also marked by a gathering ferocity, a desire to genuinely disturb, that feels new."
"Synopsis" by , From the man the New York Times calls "the best American writer England has ever produced" comes a brilliant and unsettling novel of sex, royalty, and violence.
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