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A Good War Is Hard to Find: The Art of Violence in America

by David Griffith

A Good War Is Hard to Find: The Art of Violence in America Cover

 

Synopses & Reviews

Synopsis:

In the wake of Abu Ghraib, Americans have struggled to understand what happened in the notorious prison and why. In this elegant series of essays, inflected with a radical Catholic philosophy, David Griffith contends that society's shift from language to image has changed the way people think about violence and cruelty, and that a disconnect exists between images and reality. Griffith meditates on images and literature, finding potent insight into what went wrong at the prison in the works of Susan Sontag, Anthony Burgess, and especially Flannery O’Connor, who often explored the gulf between proclamations of faith and the capacity for evil. Accompanying the essays are illustrated facts about torture, lists of torture methods and their long-term effects, and graphics such as the schematics of the “pain pathways” in the human body. Together, the images and essays endow the human being with the complexity images alone deny.

Product Details

ISBN:
9781933368122
Author:
Griffith, David
Publisher:
Soft Skull Press
Subject:
Peace
Subject:
Violence
Subject:
National characteristics, american
Subject:
Violence in Society
Subject:
POL034000
Subject:
POLITICAL SCIENCE / Peace
Subject:
Politics - General
Copyright:
Edition Description:
Trade Paper
Publication Date:
20060831
Binding:
TRADE PAPER
Language:
English
Illustrations:
B&W photos and illustrations throughout
Pages:
192
Dimensions:
7.5 x 5.5 in 7.5 oz

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A Good War Is Hard to Find: The Art of Violence in America Used Trade Paper
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Product details 192 pages Soft Skull Press - English 9781933368122 Reviews:
"Synopsis" by ,
In the wake of Abu Ghraib, Americans have struggled to understand what happened in the notorious prison and why. In this elegant series of essays, inflected with a radical Catholic philosophy, David Griffith contends that society's shift from language to image has changed the way people think about violence and cruelty, and that a disconnect exists between images and reality. Griffith meditates on images and literature, finding potent insight into what went wrong at the prison in the works of Susan Sontag, Anthony Burgess, and especially Flannery O’Connor, who often explored the gulf between proclamations of faith and the capacity for evil. Accompanying the essays are illustrated facts about torture, lists of torture methods and their long-term effects, and graphics such as the schematics of the “pain pathways” in the human body. Together, the images and essays endow the human being with the complexity images alone deny.
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