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The Poisonwood Bibleby Barbara Kingsolver
Synopses & ReviewsPlease note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.
Very rarely does a novel have as significant an impact as has The Poisonwood Bible. Though it has received a great deal of critical recognition it was, after all, a finalist for the Pulitzer Prize what has really distinguished Kingsolver's masterpiece from other books of recent years (besides the much-coveted Oprah seal of approval) is the tremendous effect it has had on readers. Not only did it remain on national bestsellers lists for over two years, it was also the recipient of a number of reader's choice awards, including the 2000 Booksense Book of the Year, which is based on the votes of booksellers from around the country. And a little closer to home, The Poisonwood Bible has received two Powell's Puddly Awards. For two years running, when asked "What was the best book you read last year," more Powell's customers have answered The Poisonwood Bible than any other novel.
In The Poisonwood Bible Kingsolver ventures intrepidly out of her familiar Southwest setting to create a story of calamitous undoing in the Belgian Congo of 1959. The daughters and wife of controlling, abusive evangelist Nathan Price recount alternating versions of the events that take place after their family arrives in the jungle, and how each of the female family members passes the thirty years following. They are so naive about what is required to survive in this alien world they actually bring cake mixes with them. From the beginning, Nathan's obsession with "converting the natives" to Christianity is met with open hostility (a logical reaction to his insistence on baptism in crocodile-infested waters) and makes both him and his essentially captive family the mortal enemies of a local witch doctor. The Prices' ill-fated interactions with the community are entwined with the larger political upheaval pervading the country (i.e., independence from brutal Belgian rule, the assassination of the country's first autonomous leader and subsequent CIA-aided, UN-sanctioned rule by the ruthless Mobutu), providing a thorough, thought-provoking, and indicting look into the ruin wrought in Africa at the hands of its colonizers. Lilus, Powells.com
See also our Poisonwood Bible Further Recommendations page.
The Poisonwood Bible is a story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in1959. They carry with them everything they believe they will need from home, but soon find that all of it--from garden seeds to Scripture--is calamitously transformed on African soil. What follows is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the order of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Taking its place alongside the classic works of postcolonial literature, this ambitious novel establishes Kingsolver as one of the most thoughtful and daring of modern writers.
"Compelling, lyrical and utterly believable." Chicago Tribune
In 1959, Nathan Price, a fierce, evangelical Baptist, takes his four young daughters, his wife, and his mission to the Belgian Congo — a place, he is sure, where he can save needy souls. But the seeds they plant bloom in tragic ways within this complex culture. Set against one of the most dramatic political events of the twentieth century — the Congo's fight for independence from Belgium and its devastating consequences — here is New York Times-bestselling author Barbara Kingslover's beautiful, heartbreaking, and unforgettable epic that chronicles the disintegration of family and a nation.
In her first novel since "Pigs in Heaven", Kingsolver offers a compelling exploration of religion, conscience, imperialist arrogance, and the many paths to redemption. An American missionary and his family travel to the Congo in 1959, a time of tremendous political and social upheaval. Web feature.
Includes bibliographical references (p. -546).
About the Author
Barbara Kingsolver was born on April 8, 1955. She grew up "in the middle of an alfalfa field," in the part of eastern Kentucky that lies between the opulent horse farms and the impoverished coal fields. While her family has deep roots in the region, she never imagined staying there herself. "The options were limited--grow up to be a farmer or a farmer's wife."
Kingsolver has always been a storyteller: "I used to beg my mother to let me tell her a bedtime story." As a child, she wrote stories and essays and, beginning at the age of eight, kept a journal religiously. Still, it never occurred to Kingsolver that she could become a professional writer. Growing up in a rural place, where work centered mainly on survival, writing didn't seem to be a practical career choice. Besides, the writers she read, she once explained, "were mostly old, dead men. It was inconceivable that I might grow up to be one of those myself . . . "
Kingsolver left Kentucky to attend DePauw University in Indiana, where she majored in biology. She also took one creative writing course, and became active in the last anti-Vietnam War protests. After graduating in 1977, Kingsolver lived and worked in widely scattered places. In the early eighties, she pursued graduate studies in biology and ecology at the University of Arizona in Tucson, where she received a Masters of Science degree. She also enrolled in a writing class taught by author Francine Prose, whose work Kingsolver admires.
Kingsolver's fiction is rich with the language and imagery of her native Kentucky. But when she first left home, she says, "I lost my accent . . . [P]eople made terrible fun of me for the way I used to talk, so I gave it up slowly and became something else." During her years in school and two years spent living in Greece and France she supported herself in a variety of jobs: as an archaeologist, copy editor, X-ray technician, housecleaner, biological researcher and translator of medical documents. After graduate school, a position as a science writer for the University of Arizona soon led her into feature writing for journals and newspapers. Her numerous articles have appeared in a variety of publications, including The Nation, The New York Times, and Smithsonian, and many of them are included in the collection, High Tide in Tucson: Essays from Now or Never. In 1986 she won an Arizona Press Club award for outstanding feature writing, and in 1995, after the publication of High Tide in Tucson, Kingsolver was awarded an Honorary Doctorate of Letters from her alma mater, De Pauw University.
Kingsolver credits her careers in scientific writing and journalism with instilling in her a writer's discipline and broadening her "fictional possiblities." Describing herself as a shy person who would generally prefer to stay at home with her computer, she explains that "journalism forces me to meet and talk with people I would never run across otherwise."
From 1985 through 1987, Kingsolver was a freelance journalist by day, but she was writing fiction by night. Married to a chemist in 1985, she suffered from insomnia after becoming pregnant the following year. Instead of following her doctor's recommendation to scrub the bathroom tiles with a toothbrush, Kingsolver sat in a closet and began to write The Bean Trees, a novel about a young woman who leaves rural Kentucky (accent intact) and finds herself living in urban Tucson.
The Bean Trees, published by HarperCollins in 1988, and reissued in a special ten-year anniversary hardcover edition in 1998, was enthusiastically received by critics. But, perhaps more important to Kingsolver, the novel was read with delight and, even, passion by ordinary readers. "A novel can educate to some extent," she told Publishers Weekly. "But first, a novel has to entertain--that's the contract with the reader: you give me ten hours and I'll give you a reason to turn every page. I have a commitment to accessiblity. I believe in plot. I want an English professor to understand the symbolism while at the same time I want the people I grew up with--who may not often read anything but the Sears catalogue--to read my books."
For Kingsolver, writing is a form of political activism. When she was in her twenties she discovered Doris Lessing. "I read the Children of Violence novels and began to understand how a person could write about the problems of the world in a compelling and beautiful way. And it seemed to me that was the most important thing I could ever do, if I could ever do that."
The Bean Trees was followed by the collection, Homeland and Other Stories (1989), the novels Animal Dreams (1990), and Pigs in Heaven (1993), and the bestselling High Tide in Tucson: Essays from Now and Never (1995). Kingsolver has also published a collection of poetry, Another America: Otra America (Seal Press, 1992, 1998), and a nonfiction book, Holding the Line: Women in the Great Arizona Mine Strike of l983 (ILR Press/Cornell University Press, 1989, 1996). The Poisonwood Bible, published in 1998, earned accolades at home and abroad, and was an Oprah's Book Club selection.
Barbara's Prodigal Summer, released in November of 2000, is a novel set in a rural farming community in southern Appalachia. Small Wonder, April 2002, presents twenty-three wonderfully articulate essays. Here Barbara raises her voice in praise of nature, family, literature, and the joys of everyday life while examining the genesis of war, violence, and poverty in our world.
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