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Art History, Volume One (3RD 08 - Old Edition)by Marilyn Stokstad
Synopses & ReviewsPlease note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.
In tune with today's readers–rich but never effete–this is the art history book of choice for a new generation. Presenting a broad view of art from prehistory through the Gothic Age, it sympathetically and positively introduces the works of all artists. This includes women, artists of color, and the arts of other continents and regions, as well as those of Western Europe and the United States. The new edition contains even more full-color reproductions, larger images, redrawn maps and timelines, and new photographs and higher quality images. Balancing both the traditions of art history and new trends of the present, Art History is the most comprehensive, accessible, and magnificently illustrated work of its kind. Broad in scope and depth, this beautifully illustrated work features art from the following time periods and places: prehistory; art of the ancients (Near East, Egypt, the Aegean, Greece, Etruscan, and Roman); early Christian, Jewish, and Byzantine art; Islamic art; India before 1100; Chinese art before 1280; Japanese art before 1392; art of the Americas before 1300; the art of ancient Africa; early Medieval European art; Romanesque art, and Gothic art. An excellent reference work and beautiful edition for any visual artist.
ART HISTORY provides students with the most student-friendly, contextual, and inclusive art history survey text on the market. These hallmarks make ART HISTORY the choice for instructors who seek to actively engage their students in the study of art.
This new edition of ART HISTORY is the result of a happy and productive collaboration between two scholar-teachers (Marilyn Stokstad and Michael Cothren) who share a common vision that survey courses on the history of art should be filled with as much enjoyment as erudition, and that they should foster an enthusiastic, as well as an educated, public for the visual arts.
Like its predecessors, this new edition seeks to balance formal and iconographic analysis with contextual art history in order to craft interpretations that will engage a diverse student population. Throughout the text, the visual arts are treated as part of a larger world, in which geography, politics, religion, economics, philosophy, social life, and the other fine arts are related components of a vibrant and cultural landscape.
About the Author
Marilyn Stokstad, teacher, art historian, and museum curator, has been a leader in her field for decades and has served as president of the College Art Association and the International Center of Medieval Art. In 2002, she was awarded the lifetime achievement award from the National Women’s Caucus for Art. In 1997, she was awarded the Governor’s Arts Award as Kansas Art Educator of the Year and an honorary degree of doctor of humane letters by Carleton College. She is Judith Harris Murphy Distinguished Professor Emerita at the University of Kansas, Lawrence. She has also served in various leadership capacities at the University’s Spencer Museum of Art and is Consultative Curator of Medieval Art at the Nelson-Atkins Museum of Art in Kansas City, Missouri
Michael W. Cothren is Scheuer Family Professor of Humanities at Swarthmore College, where he has also served as Art Department Chair, Coordinator of Medieval Studies, and Divisional Chair of the Humanities. Since arriving at Swarthmore in 1978, he has taught specialized courses on Medieval, Roman, and Islamic art and architecture, as well as seminars on visual narrative and on theory and method, but he particularly enjoys teaching the survey to Swarthmore beginners. His research and publications focus on French Gothic art and architecture, most recently in a book on the stained glass of Beauvais Cathedral entitled Picturing the Celestial City. Michael is a consultative curator at the Glencairn Museum in Bryn Athyn, Pennsylvania. He has served on the board of the International Center of Medieval Art and as President both of the American Committee of the International Corpus Vitrearum and of his local school board. When not teaching, writing, or pursuing art historical research, you can finding him hiking in the red rocks around Sedona, Arizona.
Table of Contents
Chapter 1 — Prehistoric Art in Europe
Chapter 2 - Art of the Ancient Near East
Chapter 3 - Art of Ancient Egypt
Chapter 4 - Aegean Art
Chapter 5 - Art of Ancient Greece
Chapter 6 - Etruscan and Roman Art
Chapter 7 - Jewish, Early Christian, and Byzantine Art
Chapter 8 - Islamic Art
Chapter 9 - Art of South and Southeast Asia before 1200
Chapter 10 - Chinese and Korean Art before 1279
Chapter 11 - Japanese Art before 1392
Chapter 12 - Art of the Americas before 1300
Chapter 13 - Art of Ancient Africa
Chapter 14 - Early Medieval Art in Europe
Chapter 15 — Romanesque Art
Chapter 16 - Gothic Art of the Twelfth and Thirteenth Centuries
Chapter 17 — Fourteenth-Century Art in Europe
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