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Foe (86 Edition)by J. M. Coetzee
Synopses & ReviewsPlease note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.
With the same electrical intensity of language and insight that he brought to Waiting for the Barbarians and The Master of Petersburg, J.M. Coetzee reinvents the story of Robinson Crusoe—and in so doing, directs our attention to the seduction and tyranny of storytelling itself
In 1720 the eminent man of letters Daniel Foe is approached by Susan Barton, lately a castaway on a desert island. She wants him to tell her story, and that of the enigmatic man who has become her rescuer, companion, master and sometimes lover: Cruso. Cruso is dead, and his manservant, Friday, is incapable of speech. As she tries to relate the truth about him, the ambitious Barton cannot help turning Cruso into her invention. For as narrated by Foe—as by Coetzee himself—the stories we thought we knew acquire depths that are at once treacherous, elegant, and unexpectedly moving.
"When I read Coetzee's Waiting for the Barbarians, I thought it one of the few truly great works of fiction written in recent decades and later found The life and Times of Michael K only slightly less pleasing. I was, therefore, very favorably predisposed toward Foe even though its pretext—a woman cast away on Robinson Crusoe's island—sounded chillingly artificial. The first section, the woman's memoirs of her island life, rewarded my anticipation, for I found Susan Barton an intriguing character and her Cruso (sic), her Friday, and her island world sufficiently different to prove a thought-provoking variation of Defoe's vision. Unfortunately, this memoir ends on page 45; in the remaining 114 pages, with Cruso dead and Barton and Friday back in England in touch with 'Mr. Foe' (i.e., Defoe), Coetzee abandons realism for a philsophical treatise all theory and the ethereal. Coetzee's style is mesmerizing, driving, but even such verbal energy cannot sufficiently enliven yet one more discussion of deconstructive doubt, the fullness or falseness of language, the freedom and slavery of man, the meaning of meaning, etc. etc....." Reviewed by Daniel Weiss, Virginia Quarterly Review (Copyright 2006 Virginia Quarterly Review)
Susan Barton finds herself marooned on an island in the Atlantic with an Englishman named Robinson Cruso and his mute (mutilated) slave, Friday. Rescued after a year of Cruso's company, back in England with Friday in tow, she approaches the author Daniel Foe, offering him the story.
In this brilliant reshaping of Defoe's classic tale starring Robinson Crusoe, Coetzee explores the relationships between speech and silence, master and slave, story and storyteller, and sanity and madness.
About the Author
Born in Cape Town, South Africa, on February 9, 1940, John Michael Coetzee studied first at Cape Town and later at the University of Texas at Austin, where he earned a Ph.D. degree in literature. In 1972 he returned to South Africa and joined the faculty of the University of Cape Town. His works of fiction include Dusklands, Waiting for the Barbarians, which won South Africa's highest literary honor, the Central News Agency Literary Award, and the Life and Times of Michael K., for which Coetzee was awarded his first Booker Prize in 1983. He has also published a memoir, Boyhood: Scenes From a Provincial Life, and several essays collections. He has won many other literary prizes including the Lannan Award for Fiction, the Jerusalem Prize and The Irish Times International Fiction Prize. In 1999 he again won Britain's prestigious Booker Prize for Disgrace, becoming the first author to win the award twice in its 31-year history. In 2003, Coetzee was awarded the Nobel Prize in Literature.
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