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Physics and the Art of Dance: Understanding Movementby Kenneth Laws
Synopses & Reviews
Physics and the Art of Dance gives all who enjoy dance - whether as dancers, students, teachers, or fans - an opportunity to understand what happens when human bodies move in the remarkable ways we call dance. How, for instance, do dancers create the illusion of defying gravity? Or of starting to spin when in the air with no source of force to act on their bodies? You may observe some dancers using their arms in a way that allows some to jump higher than others. What is that technique, and why does it work?
In this second edition, author Ken Laws - a physicist with years of professional dance training - teams with veteran dance instructor Arleen Sugano to provide new step-by-step experiments for dancers. "What you see" sections describe the way physical principles form the framework within which some movements exist. The complementary "What you do" sections allow dancers to experience how those physical analyses can provide them a more efficient means of learning how to carry out those movements. Throughout, the book shows how movements are first artistic expressions, and secondly movements of the body within the framework of easy-to-understand physical principles.
Dancers and dance instructors will find in this book an efficient means of improving technical proficiency and growing professional and aesthetic development. For physics and science teachers, the book provides a new and compelling way to draw people into the world of science. And observers and fans of dance will marvel over the beautiful time-stop photography by renowned dance photographers Martha Swope and Gene Schiavone.
Written by a physicist with professional dance training, Physics and the Art of Dance explains how dancers can achieve better, safer performances through an understanding of physics in motion. Using simple, non-technical terms, Kenneth Laws combines his knowledge of both physics and dance to describe how the laws of gravity, momentum, and energy affect dancing bodies. The book explores the natural laws that govern the subtleties of balance, the techniques of leaps and pirouettes, and the impressive lifts and turns executed by ballet partners. Finally, Laws offers insight into two current discussions in the dance world--the effect of body size on ballet technique, and the relationship between science and the art of dance.
Beautiful, original stop-action photographs by Martha Swope, along with clear diagrams, illustrate the concepts described in the text. Plus, an intriguing "puzzler" at the beginning of each chapter provides an engaging entrée into the topics presented. For those who want a more advanced understanding of the physics, extensive appendices are provided.
This new book combines the best features of Laws's widely acclaimed The Physics of Dance and Physics, Dance, and the Pas de Deux by Laws and Cynthia Harvey. Its expert application of the basic principles of physics to the art of dance will be an invaluable resource for dancers and dance instructors and will open a new level of appreciation for lovers of the form. It will also appeal to physicists who seek to include the arts in their scientific pursuits.
About the Author
Kenneth Laws is Professor Emeritus of Physics, Dickinson College, and author of The Physics of Dance (Schirmer, 1984), Physics, Dance, and the Pas de Deux (Schirmer, 1994), and Physics and the Art of Dance: Understanding Movement (OUP, 2002)
Arleen Sugano is Independent Dance Instructor, former instructor of Dance, New York University, University of North Texas, Joffrey Ballet School, Rod Rodgers Dance Company, and Lula Washington Dance Company, amongst many others.
Table of Contents
Foreword by Martha Swope
3. Motions Without Turns
5. Turns in the Air
6. The Pas de Deux
7. The Mechanics of Partnered Turns
8. The Mechanics of Lifts
9. The Effects of Body Size
10. A Step into the Future
Appendix A - Linear Mechanics and Newton's Laws
Appendix B - Rotational Mechanics
Appendix C - Anatomical Data for Dancers
Appendix D - Rotational Inertia for Some Body Configurations
Appendix E - Acceleration Away from Balance
Appendix F - Off-Balance Pirouettes
Appendix G - Arabesque Turn Analysis
Appendix H - Quantitative Analysis of the Grande Pirouette
Appendix I - Quantitative Analysis of the Fouetté Turn
Appendix J - Quantitative Analysis of the Supported Fouetté Turn
Appendix K - Lean, Don't Slip
Appendix L - Biomechanical Forces in a Dancer's Body
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