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Chambers for a Memory Palace (94 Edition)

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Chambers for a Memory Palace (94 Edition) Cover

 

Synopses & Reviews

Please note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.

Publisher Comments:

This collaboration between two distinguished architects and former colleagues is a joyous celebration of admired places and a thoughtful consideration of the role that design has played in giving these places their memorable qualities. It is also an invitation to readers to inhabit the chambers of the book with their own imaginations to join in the making of the Memory Palace proposed. The authors' informal, witty, and anecdotal style extends to the illustrations - the freehand travel sketches, line drawings, and watercolors of places they have remembered and enjoyed.Chambers for a Memory Palace consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. Each of the book's chapters forms a chamber, and each chamber is inscribed with personal observations on the composition of places and the architectural elements central to each building, garden, court, monument, or open space described. The examples considered in these dialogues range from classic Western tradition to Asian temples and Islamic tombs, from ancient ruins to modern cities. In "Axes that Reach/Paths that Wander," Lyndon and Moore discuss the Cranbrook Academy of Art in Bloomfield Hills, the Taj Mahal in Agra, Vaux le Vicomte in France, the Beverly Hills Civic Center, and the Kimbell Museum in Forth Worth. In "Orchards that Measure/Pilasters that Temper," they consider the rhythmic spacing of elements in the Mosque at Cordoba, the Cathedral at Bourges, the thousand-pillared mandapas of South Indian temples, the facades of Schauspielhaus in Berlin, and the Seagram building in New York City. They use these and many other examples to illustrate the ways in which architecture, experience, and memory intertwine to help us experience events and places.

Synopsis:

An engaging and heartfelt dialog between the two authors, constructed as an exchange of letters in which the architects trade observations on the design of places they love and believe to be significant and instructive.

Synopsis:

This ode to the spirit of place consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. Each of the book's chapters forms a chamber, and each chamber is inscribed with the authors' personal observations.

Synopsis:

This collaboration between two distinguished architects and former colleagues is a joyous celebration of admired places and a thoughtful consideration of the role that design has played in giving these places their memorable qualities. It is also an invitation to readers to inhabit the chambers of the book with their own imaginations to join in the making of the Memory Palace proposed. The authors' informal, witty, and anecdotal style extends to the illustrations - the freehand travel sketches, line drawings, and watercolors of places they have remembered and enjoyed.

Synopsis:

Chambers for a Memory Palace consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. Each of the book's chapters forms a chamber, and each chamber is inscribed with personal observations on the composition of places and the architectural elements central to each building, garden, court, monument, or open space described. The examples considered in these dialogues range from classic Western tradition to Asian temples and Islamic tombs, from ancient ruins to modern cities. In Axes that Reach/Paths that Wander, Lyndon and Moore discuss the Cranbrook Academy of Art in Bloomfield Hills, the Taj Mahal in Agra, Vaux le Vicomte in France, the Beverly Hills Civic Center, and the Kimbell Museum in Forth Worth. In Orchards that Measure/Pilasters that Temper, they consider the rhythmic spacing of elements in the Mosque at Cordoba, the Cathedral at Bourges, the thousand-pillared mandapas of South Indian temples, the facades of Schauspielhaus in Berlin, and the Seagram building in New York City. They use these and many other examples to illustrate the ways in which architecture, experience, and memory intertwine to help us experience events and places.

Product Details

ISBN:
9780262621052
With:
Moore, Charles W.
Author:
Moore, Charles W.
With:
Moore, Charles W.
Author:
arles W. Moore
Author:
Weingarten, Bruce D.
Author:
Ch
Author:
Lyndon, Donlyn
Author:
Weingarten, Steven M.
Author:
Moore, Charles W.
Author:
Weingarten, David M...
Author:
Weingarten, Lawrence A.
Publisher:
MIT Press (MA)
Location:
Cambridge
Subject:
History - General
Subject:
Criticism
Subject:
Architecture
Subject:
Architects
Subject:
History : General
Subject:
History
Subject:
ARCHITECTURE / Reference
Edition Description:
Trade paper
Series:
Chambers for A Memory Palace
Publication Date:
19960231
Binding:
TRADE PAPER
Grade Level:
from 17
Language:
English
Illustrations:
Y
Pages:
336
Dimensions:
8.4 x 6.3 x 0.7 in

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Related Subjects

Arts and Entertainment » Architecture » General
Arts and Entertainment » Architecture » History » General
Arts and Entertainment » Architecture » Reference
Arts and Entertainment » Architecture » Theory
History and Social Science » Economics » General
Humanities » Philosophy » General
Science and Mathematics » Physics » General

Chambers for a Memory Palace (94 Edition) Used Trade Paper
0 stars - 0 reviews
$15.00 In Stock
Product details 336 pages MIT Press - English 9780262621052 Reviews:
"Synopsis" by , An engaging and heartfelt dialog between the two authors, constructed as an exchange of letters in which the architects trade observations on the design of places they love and believe to be significant and instructive.
"Synopsis" by , This ode to the spirit of place consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. Each of the book's chapters forms a chamber, and each chamber is inscribed with the authors' personal observations.
"Synopsis" by , This collaboration between two distinguished architects and former colleagues is a joyous celebration of admired places and a thoughtful consideration of the role that design has played in giving these places their memorable qualities. It is also an invitation to readers to inhabit the chambers of the book with their own imaginations to join in the making of the Memory Palace proposed. The authors' informal, witty, and anecdotal style extends to the illustrations - the freehand travel sketches, line drawings, and watercolors of places they have remembered and enjoyed.
"Synopsis" by , Chambers for a Memory Palace consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. Each of the book's chapters forms a chamber, and each chamber is inscribed with personal observations on the composition of places and the architectural elements central to each building, garden, court, monument, or open space described. The examples considered in these dialogues range from classic Western tradition to Asian temples and Islamic tombs, from ancient ruins to modern cities. In Axes that Reach/Paths that Wander, Lyndon and Moore discuss the Cranbrook Academy of Art in Bloomfield Hills, the Taj Mahal in Agra, Vaux le Vicomte in France, the Beverly Hills Civic Center, and the Kimbell Museum in Forth Worth. In Orchards that Measure/Pilasters that Temper, they consider the rhythmic spacing of elements in the Mosque at Cordoba, the Cathedral at Bourges, the thousand-pillared mandapas of South Indian temples, the facades of Schauspielhaus in Berlin, and the Seagram building in New York City. They use these and many other examples to illustrate the ways in which architecture, experience, and memory intertwine to help us experience events and places.
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