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1 Remote Warehouse Music- Theory and Composition

Settling the Score: Music and the Classical Hollywood Film (Wisconsin Studies in Film)

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Settling the Score: Music and the Classical Hollywood Film (Wisconsin Studies in Film) Cover

 

Synopses & Reviews

Synopsis:

Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold’s Captain Blood, Max Steiner’s The Informer, Bernard Herrmann’s The Magnificent Ambersons, and David Raksin’s Laura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams’ The Empire Strikes Back and Basil Poledouris’ RoboCop demonstrate how the traditions of the classical era continue to influence scoring practices today.

Description:

Includes bibliographical references (p. 233-239) and index.

About the Author

Kathryn Kalinak is professor of English and film studies at Rhode Island College and has published many articles on film sound.

Product Details

ISBN:
9780299133641
Author:
Kalinak, Kathryn
Publisher:
University of Wisconsin Press
Location:
Madison :
Subject:
United states
Subject:
Motion picture music
Subject:
Theory
Subject:
Motion picture music -- United States -- History and criticism.
Subject:
Instruction & Study - Theory
Subject:
Film - History & Criticism
Subject:
Motion picture music -- United States.
Subject:
Music-Theory and Composition
Edition Description:
1
Series:
Wisconsin studies in film
Series Volume:
2379
Publication Date:
19921231
Binding:
TRADE PAPER
Language:
English
Illustrations:
Yes
Pages:
256
Dimensions:
9 x 6 in

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Related Subjects

Arts and Entertainment » Film and Television » History and Criticism
Arts and Entertainment » Music » Instruction and Study » Theory
Arts and Entertainment » Music » Instruction and Study » Theory and Composition
History and Social Science » Law » Legal Guides and Reference
History and Social Science » Military » General History

Settling the Score: Music and the Classical Hollywood Film (Wisconsin Studies in Film) New Trade Paper
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Product details 256 pages University of Wisconsin Press - English 9780299133641 Reviews:
"Synopsis" by ,

Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold’s Captain Blood, Max Steiner’s The Informer, Bernard Herrmann’s The Magnificent Ambersons, and David Raksin’s Laura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams’ The Empire Strikes Back and Basil Poledouris’ RoboCop demonstrate how the traditions of the classical era continue to influence scoring practices today.

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