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Gabrielle ZevinThe American Booksellers Association collects nominations from bookstores all over the country for favorite forthcoming titles. The Storied Life of... Continue »
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Structural Functions of Harmony (69 Edition)

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Structural Functions of Harmony (69 Edition) Cover

 

Synopses & Reviews

Please note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.

Publisher Comments:

This book is Schoenberg's last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. The earlier chapters recapitulate in consensed form the principles laid down in his Theory of Harmony; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of "monotonality," showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.

Schoenberg's argument is supported by music examples, which range from entire development sections of classical symphonies to analyses of the experimental harmonic progressions of Strauss, Debussy, Reger, and Schoenberg's own early music. The final chapter, "Apollonian Evaluation of a Dionysian Epoch," discusses the music of our time, with particular reference to the possibility of new methods of harmonic analysis.

Structural Functions of Harmonyis a standard work on its subject and provides an invaluable key to the development of musical structure during the last two hundred and fifty years. This new edition, with corrections, a new preface, and an index of subject headings, has been prepared under the editorial supervision of Leonard Stein.

Synopsis:

The earlier chapters recapitulate in condensed form the principles laid down in his Theory of Harmony; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of "monotonality," showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.

Schoenberg's argument is supported by music examples, which range from entire development sections of classical symphonies to analyses of the experimental harmonic progressions of Strauss, Debussy, Reger, and Schoenberg's own early music. The final chapter, "Apollonian Evaluation of a Dionysian Epoch," discusses the music of our time, with particular reference to the possibility of new methods of harmonic analysis.

Structural Functions of Harmony is a standard work on its subject and provides an invaluable key to the development of musical structure during the last two hundred and fifty years. This new edition, with corrections, a new preface, and an index of subject headings, has been prepared under the editorial supervision of Leonard Stein.

Product Details

ISBN:
9780393004786
Author:
Schoenberg, Arnold
Publisher:
W. W. Norton & Company
Subject:
Theory
Subject:
Instruction & Study - Theory
Subject:
Music-Theory and Composition
Edition Description:
Revised Edition
Publication Date:
19690631
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
224
Dimensions:
7.63x5.04x.49 in. .44 lbs.

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Related Subjects

Arts and Entertainment » Music » Instruction and Study » Harmony
Arts and Entertainment » Music » Instruction and Study » Theory
Arts and Entertainment » Music » Instruction and Study » Theory and Composition
Health and Self-Help » Self-Help » General
Religion » Comparative Religion » General

Structural Functions of Harmony (69 Edition) Used Trade Paper
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Product details 224 pages W. W. Norton & Company - English 9780393004786 Reviews:
"Synopsis" by , The earlier chapters recapitulate in condensed form the principles laid down in his Theory of Harmony; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of "monotonality," showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.

Schoenberg's argument is supported by music examples, which range from entire development sections of classical symphonies to analyses of the experimental harmonic progressions of Strauss, Debussy, Reger, and Schoenberg's own early music. The final chapter, "Apollonian Evaluation of a Dionysian Epoch," discusses the music of our time, with particular reference to the possibility of new methods of harmonic analysis.

Structural Functions of Harmony is a standard work on its subject and provides an invaluable key to the development of musical structure during the last two hundred and fifty years. This new edition, with corrections, a new preface, and an index of subject headings, has been prepared under the editorial supervision of Leonard Stein.
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