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Clockwork Orange (11 Edition)by Anthony Burgess
Synopses & ReviewsPlease note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.
A terrifying tale about good and evil and the meaning of human freedom, became an instant classic when it was published in 1962 and has remained so ever since. Anthony Burgess takes us on a journey to a nightmarish future where sociopathic criminals rule the night. Brilliantly told in harsh invented slang by the novel's main character and merciless droog, fifteen-year-old Alex, this influential novel is now available in a student edition. The Norton Critical Edition of is based on the first British edition and includes Burgess's original final chapter. It is accompanied by Mark Rawlinson's preface, explanatory annotations, and textual notes. A glossary of the Russian-origin terms that inspired Alex's dialect is provided to illustrate the process by which Burgess arrived at the distinctive style of this novel. "Backgrounds and Contexts" presents a wealth of materials chosen by the editor to enrich the reader's understanding of this unforgettable work, many of them by Burgess himself. Burgess's views on writing , its philosophical issues, and the debates over the British edition versus the American edition and the novel versus the film adaptation are all included. Related writings that speak to some of the novel's central issues--youthful style, behavior modification, and art versus morality--are provided by Paul Rock and Stanley Cohen, B. F. Skinner, John R. Platt, Joost A. M. Meerloo, William Sargent, and George Steiner. "Criticism" is divided into two sections, one addressing the novel and the other Stanley Kubrick's film version. Five major reviews of the novel are reprinted along with a wide range of scholarly commentary, including, among others, David Lodge on the American reader; Julie Carson on linguistic invention; Zinovy Zinik on Burgess and the Russian language; Geoffrey Sharpless on education, masculinity, and violence; Shirley Chew on circularity; Patrick Parrinder on dystopias; Robbie B. H. Goh on language and social control; and Steven M. Cahn on freedom. A thorough analysis of the film adaptation of is provided in reviews by Vincent Canby, Pauline Kael, and Christopher Ricks; in Philip Strick and Penelope Houston's interview with Stanley Kubrick; and in interpretive essays by Don Daniels, Alexander Walker, Philip French, Thomas Elsaesser, Tom Dewe Mathews, and Julian Petley. A Selected Bibliography is also included.
Book News Annotation:
Edited by Rawlinson (literature, U. of Leicester, UK), this volume continues Norton's practice of including the original 21st chapter in North American editions of Burgess' A Clockwork Orange. The text of the novel precedes a section offering context-providing material by Burgess, along with commentaries from individuals including B.F. Skinner and George Steiner. Sections in a third part of the edition present reviews and scholarly analyses of both Burgess' novel and Kubrick's film. A glossary of "nadsat" terms, a chronology of Burgess' life, and a selected bibliography, are also provided. Annotation ©2011 Book News, Inc., Portland, OR (booknews.com)
"A brilliant novel . . . a savage satire on the distortions of the single and collective minds." — "Anthony Burgess has written what looks like a nasty little shocker, but is really that rare thing in English letters: a philosophical novel." --
About the Author
Anthony Burgess (1917-1993) is the author of many works, including A Clockwork Orange, The Wanting Seed, Nothing Like the Sun, Honey for the Bears, The Long Day Wanes, The Doctor Is Sick, and ReJoyce.Mark Rawlinson is Senior Lecturer at the University of Leicester. His books include British Writing of the Second World War, Pat Barker, The Second World War in British Fiction Since 1945, and Camouflage: Modern War and Visual Culture.
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