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Original Essays | September 17, 2014

Merritt Tierce: IMG Has My Husband Read It?



My first novel, Love Me Back, was published on September 16. Writing the book took seven years, and along the way three chapters were published in... Continue »
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Engaging Cinema (10 Edition)

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Engaging Cinema (10 Edition) Cover

 

Synopses & Reviews

Please note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.

Publisher Comments:

In what ways do films influence and interact with society? What social forces determine the kinds of movies that get made? How do movies reinforce--and sometimes overturn--social norms? As societies evolve, do the films that were once considered 'great' slip into obscurity? Which ones? Why? These questions, and many others like them, represent the mainstream of scholarly film studies today. In , Bill Nichols offers the first book for introductory film students that tackles these topics head-on. Published in a handy 'trade paperback' format, is inexpensive and utterly unique in the field--a perfect complement to or replacement for standard film texts.

Book News Annotation:

For students, Nichols (cinema, San Francisco State U.) provides an introduction to film studies that emphasizes the interaction between society and cinema and topics such as stereotyping, ethnicity, masculinity, feminism, and ideology. Contending that film's social implications are key, that viewers respond to films in relation to their social and historical situation, and that different viewers interpret films differently, he discusses both the formal and social contexts of cinema, and the links between the two, with chapters on film as language, documentaries, the social function of genre films, the cultural value of storytelling, the differences between realism, modernism, and postmodernism, and the above issues, as well as a concluding chapter on how to write and speak about film. For the sake of reducing price, there are no images. Annotation ©2010 Book News, Inc., Portland, OR (booknews.com)

Synopsis:

emphasizes the interactions between society and cinema and introduces students to film studies as it is actually done by scholars and critics.

About the Author

Bill Nichols (Ph.D., UCLA) is Professor of Cinema at San Francisco State University. A leading (and founding) figure in the film studies community, Nichols is the editor of the seminal anthologies, Movies and Methods, Volumes 1 & 2 (1976; 1985) and the leading textbook in documentary film, Introduction to Documentary (2001). His other books include Ideology and the Image (1981), Representing Reality: Issues and Concepts in Documentary (1991), Blurred Boundaries: Questions of Meaning in Contemporary Culture (1995), and Maya Deren and the American Avant-Garde (ed., 2001).

Product Details

ISBN:
9780393934915
Author:
Nichols, Bill
Publisher:
W. W. Norton & Company
Subject:
Film - History & Criticism
Subject:
Motion pictures
Subject:
Film & Video - History & Criticism
Subject:
Film and Television-History and Criticism
Publication Date:
20100131
Binding:
TRADE PAPER
Grade Level:
College/higher education:
Language:
English
Illustrations:
Y
Pages:
545
Dimensions:
8.3 x 5.6 x 1 in 1.28 lb

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Related Subjects

Arts and Entertainment » Film and Television » Film History and Theory
Arts and Entertainment » Film and Television » General
Arts and Entertainment » Film and Television » History and Criticism
Religion » Comparative Religion » General

Engaging Cinema (10 Edition) Used Trade Paper
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Product details 545 pages W. W. Norton & Company - English 9780393934915 Reviews:
"Synopsis" by , emphasizes the interactions between society and cinema and introduces students to film studies as it is actually done by scholars and critics.
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