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Souls of Black Folk (99 Edition)by W. E. B. Dubois
Synopses & ReviewsPlease note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.
This collection of essays on African American history, culture, and society probes fundamental issues of race and justice and documents Du Bois's conviction that the "soul" of the black community must be preserved and revered. The text reprinted here is that of the first book edition (1903).
"Contexts" presents a fascinating collection of political and biographical documents related to the text. Also included are eighteen photographs that accompanied Du Bois's 1901 article "The Negro As He Really Is."
"Criticism" offers thirteen contemporary and recent assessments of Du Bois and Souls, rounding out the picture of this enduring work.
When it was published in 1903, The Souls of Black Folk revolutionized thinking about the experience of African Americans in the United States.
When it was published "The Souls of Black Folk" revolutionized thinking about the experience of African Americans in the United States. It probes fundamental issues of race and justice, and documents W.E.B. Du Bois' conviction that the "soul" of the black American community must be preserved and revered. The text reprinted here is that of the first bound edition (1903). "Contexts" presents a collection of political and biographical documents related to the text. "Criticism" offers 13 contemporary and recent assessments of Du Bois and "Souls", rounding off the picture of this work.
About the Author
Henry Louis Gates Jr. (Ph.D. Cambridge) is Alphonse Fletcher University Professor and Director, W. E. B. Du Bois Institute for African and African American Research, at Harvard University. He is the author of Figures in Black: Words, Signs, and the Racial Self; The Signifying Monkey: A Theory of Afro-American Criticism; Loose Canons: Notes on the Culture Wars; Colored People: A Memoir; The Future of Race (with Cornel West); Wonders of the African World; Thirteen Ways of Looking at a Black Man; and America Behind the Color Line: Dialogues with African Americans. He is general editor (with the late Nellie Y. McKay) of The Norton Anthology of African American Literature; editor-in-chief of the Oxford African American Studies Center (online); editor of The African-American Century (with Cornel West); Encarta Africana (with Kwame Anthony Appiah); and The Bondwoman's Narrative by Hannah Craft; African American National Biography (with Evelyn Brooks Higginbotham) and The Annotated Uncle Tom's Cabin (with Hollis Robbins). For PBS, Professor Gates has written and produced several documentaries, among them African American Lives, series 1 and 2, and America Behind the Color Line.Terri Hume Oliver is a doctoral candidate in the Department of English and American Literature and Language at Harvard University. The title of her dissertation is The Ends of Childhood: An American Rhetoric of Minority. She has published reference entries on Cynthia Ozick, Susan Cheever, and Robert Beck, and was a research assistant for The Norton Anthology of African American Literature.
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