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Macbeth (Norton Critical Edition)by William Shakespeare
Synopses & Reviews
A rich "Sources and Contexts" section provides readers with an understanding of 's origins from earlier texts, specifically the works of the Roman playwright Seneca, the Tudor historian Raphael Holinshed, and a medieval drama . The contexts for the play include contemporary debates on predestination vs. free will (Martin Luther vs. Erasmus), witchcraft as fiction or fact (Reginald Scot vs. King James I), the ethics of regicide (an Elizabethan homily vs. Juan de Mariana, S.J.), and a treatise on equivocation (Henry Garnet, S.J.). This edition also features adaptations--Davenant's moralistic , some travesties, and Welcome Msomi's recent South African retelling, . Seventeen carefully chosen essays represent four hundred years of critical and theatrical interpretations, from the early observations of Simon Forman and Samuel Johnson to the Romantic readings of Samuel Taylor Coleridge, William Hazlitt, and Thomas De Quincey, to recent essays by Janet Adelman and Stephen Orgel. Sarah Siddons and Derek Jacobi remember performing , and Peter Holland surveys film interpretations. A Selected Bibliography is also included.
Macbeth is Shakespeare's great tragedy of a fall into evil.
The Norton Critical Edition of , Shakespeare's terrifying depiction of a man and woman's fall into evil, derives from the First Folio (1623), the only authoritative text of the play. The edition includes an introduction, annotations, and textual notes.
The Norton Critical Edition text is based on the First Folio (1623), the only authoritative text of the play. It is accompanied by an introduction, detailed explanatory annotations, and textual notes. A rich 'Sources and Contexts' section provides readers with an understanding of Macbeth"s origins through the works of Seneca, Raphael Holinshed, and The Slaughter of the Holy Innocents and the Death of Herod. The cultural controversies surrounding the play'"free will, predestination, witchcraft, tyrannicide, and equivocation'"are debated by various authors. Adaptations of Macbethare included for comparative reading, among them Welcome Msomi"s recent South African retelling, Umabatha. Four hundred years of critical interpretation of Macbethare represented in seventeen judiciously-chosen essays, among them assessments by Samuel Johnson, Samuel Taylor Coleridge, Sarah Siddons, A. C. Bradley, Janet Adelman, Derek Jacobi, Stephen Orgel, and Peter Holland. A Selected Bibliography is also included.
About the Author
Robert S. Miola is Gerard Manley Hopkins Chair of English at Loyola University Maryland. He is the author of Shakespeare's Reading, Shakespeare and Classical Comedy: The Influence of Plautus and Terence, Shakespeare and Classical Tragedy: The Influence of Seneca, and The Comedy of Errors: Critical Essays, as well as dozens of articles on sixteenth-century English literature.
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