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Commedia Dell'arte: An Actor's Handbookby John Rudlin
Synopses & Reviews
An entertaining and highly illuminating account of Commedia's origins as a popular theatrical form, plus a practical and timely step-by-step guide to using commedia techniques in performance. <BR>This title available in eBook format. Click here for more information.<BR>Visit our eBookstore at: www.ebookstore.tandf.co.uk.
An account of Commedia's origins as a popular theatrical form, plus a practical, step-by-step guide to using Commedia techniques in performance. The text provides sample monologues and explains each stock character's "type" in turn.
An entertaining and highly illuminating account of Commedia's origins as a popular theatrical form, plus a practical and timely step-by-step guide to using commedia techniques in performance.
There has been an enormous revival of interest in Commedia dell'arte. And it remians a central part of many drama school courses. In Commedia dell'arte in the Twentieth Century John Rublin first examines the orgins of this vital theatrical form and charts its recent revival through the work of companies like Tag, Theatre de Complicite and the influential methods of Jacques Lecoq. The second part of the book provides a unique practical guide for would-be practitioners: demonstrating how to approach the roles of Zanni, Arlecchion, Brighella, Pantalone, Dottore, and the Lovers in terms of movement, mask-work and voice. As well as offering a range of lazzi or comic business, improvisation exercises, sample monologues, and dialogues. No other book so clearly outlines the specific culture of Commedia or provides such a practical guide to its techniques. This immensely timely and useful handbook will be an essential purchase for all actors, students, and teachers.
Includes bibliographical references (p. 263-276) and index.
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