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Typographic Specimens (93 Edition)

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Typographic Specimens (93 Edition) Cover

 

Synopses & Reviews

Please note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.

Publisher Comments:

Specimens of 38 of the finest type families in the world are brought together in Typographic Specimens: The Great Typefaces, making it an invaluable reference tool for graphic designers, editors, art directors, production managers, desktop publishers, and students. Each type family is shown in display and text specimens with complete fonts including italic and bold variations; extended families such as Futura and Univers include additional type weights and widths. Each type family’s section opens with a full-page experimental design, created by an outstanding graphic designer to demonstrate its potential. The specimens are accompanied by a concise discussion of each type family’s origins, charactertistics, and usage. Typographic specimens provide an opportunity to study typefaces, to select and plan typography, and to increase one’s knowledge of letterforms. Drawing and tracing specimens remain excellent ways to understand type and create logos and other typographic designs. Study of specimens aids in the selection of fonts to be purchased for the font library. Typographic specimens introduce unfamiliar typefaces in printed form and aid in the development of connoisseurship. Comparative analysis of similar faces in printed form becomes possible. Over one hundred prominent designers and design educators were sent a ballot listing all major typefaces and were asked to vote for the type families that best fulfilled their personal criteria for typographic excellence. The typefaces contained in this book represent the results of this poll, providing a compendium of excellent typefaces that have stood the test of time. Typographic Specimens: The Great Typefaces will provide information, inspiration, and a keener knowledge of typography. Akzidenz-Grotesk American Typewriter Baskerville Bembo Bodoni Bookman Caledonia Caslon Centaur Century Schoolbook Cheltenham Clarendon Didot Folio Franklin Gothic Frutiger Futura Galliard Gill Sans Garamond Goudy Old Style Helvetica Janson Kabel News Gothic Optima Palatino Perpetua Plantin Sabon Serifa Stone Sans Stone Serif Stymie Times New Roman Trump Mediaeval Univers Zapf Book

Synopsis:

Specimens of 38 of the finest type families in the world are brought together in Typographic Specimens: The Great Typefaces, making it an invaluable reference tool for graphic designers, editors, art directors, production managers, desktop publishers, and students. Each type family is shown in display and text specimens with complete fonts including italic and bold variations; extended families such as Futura and Univers include additional type weights and widths. Each type family’s section opens with a full-page experimental design, created by an outstanding graphic designer to demonstrate its potential. The specimens are accompanied by a concise discussion of each type family’s origins, charactertistics, and usage. Typographic specimens provide an opportunity to study typefaces, to select and plan typography, and to increase one’s knowledge of letterforms. Drawing and tracing specimens remain excellent ways to understand type and create logos and other typographic designs. Study of specimens aids in the selection of fonts to be purchased for the font library. Typographic specimens introduce unfamiliar typefaces in printed form and aid in the development of connoisseurship. Comparative analysis of similar faces in printed form becomes possible. Over one hundred prominent designers and design educators were sent a ballot listing all major typefaces and were asked to vote for the type families that best fulfilled their personal criteria for typographic excellence. The typefaces contained in this book represent the results of this poll, providing a compendium of excellent typefaces that have stood the test of time. Typographic Specimens: The Great Typefaces will provide information, inspiration, and a keener knowledge of typography. Akzidenz-Grotesk American Typewriter Baskerville Bembo Bodoni Bookman Caledonia Caslon Centaur Century Schoolbook Cheltenham Clarendon Didot Folio Franklin Gothic Frutiger Futura Galliard Gill Sans Garamond Goudy Old Style Helvetica Janson Kabel News Gothic Optima Palatino Perpetua Plantin Sabon Serifa Stone Sans Stone Serif Stymie Times New Roman Trump Mediaeval Univers Zapf Book

About the Author

Philip Meggs is professor at Virginia Commonwealth University, contributing editor of Print magazine, and visiting graduate faculty at Syracuse University. He is the author of Type & Image and A History of Graphic Design, and coauthor of Typographic Design: Form and Communication. His design work has been exhibited widely, including Print Regional Annual, CA Annual, Graphis Posters, Photographis, and The New York Art Director's Club. Rob Carter teaches typography and graphic design at Virginia Commonwealth University. His design projects have been exhibited by the American Institute of Graphic Arts, New York Art Director's Club, Society of Typographic Arts, Graphis Annual, Creativity, and the New York Type Director's Club. He is the author of American Typography Today and coauthor of Typographic Design: Form and Communication. Z

Table of Contents

1

Akzidenz-Grotesk

Wolfgang Weingart

10

2

American Typewriter

Philip Meggs

20

3

Baskerville

Keith Jones

30

4

Bembo

Jeff Price

40

5

Bodoni

Rob Carter

50

6

Bookman

Rob Carter

60

7

Caledonia

Clifford A. Harvey

70

8

Caslon

Paul Rand

80

9

Centaur

Bruce Rogers

90

10

Century Schoolbook

Philip Meggs

98

11

Cheltenham

Kit Hinrichs

108

12

Clarendon

Bradbury Thompson

118

13

Didot

Ned Drew

128

14

Folio

Philip Meggs

138

15

Franklin Gothic

Malcolm Grear

150

16

Frutiger

Julie Sebastianelli

162

17

Futura

John Malinoski

172

18

Galliard

Matthew Carter

188

19

Gill Sans

Larry Clarkson

198

20

Garamond

Paula Scher and Ron Louie

208

21

Goudy Old Style

Roger E. Baer

218

22

Helvetica

Sandra Wheeler

228

23

Janson Text

Christopher Ozubko

244

24

Kabel

Douglass Scott

252

25

News Gothic

Jeff Barnes

262

26

Optima

Hermann Zapf

272

27

Palatino

Hermann Zapf

282

28

Perpetua

Eve Faulkes

292

29

Plantin

Banu Berker

302

30

Sabon

Stephen Chovanec

312

31

Serifa

Katie Salen

322

32

Stone Sans

Brian Wu

332

33

Stone Serif

Brian Wu

342

34

Stymie

Louise Fili

352

35

Times New Roman

David Colley

362

36

Trump Mediaeval

Richard Woollacott

372

37

Univers

John T. Drew

382

38

Zapf Book

Hermann Zapf

400

Product Details

ISBN:
9780471284291
With:
Meggs, Philip B.
Author:
Meggs, Philip B.
Author:
Carter, Rob
Publisher:
John Wiley & Sons
Location:
New York
Subject:
Typography
Subject:
Printing
Subject:
Type and type-founding
Subject:
Graphic Arts - Typography
Subject:
General
Subject:
Graphic design
Subject:
General-General
Copyright:
Series Volume:
no. 98-7
Publication Date:
19931215
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
Yes
Pages:
416
Dimensions:
0.5 x 218 x 19.3 mm 33.6 oz

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Related Subjects

Arts and Entertainment » Art » General
Arts and Entertainment » Art » Typography
Computers and Internet » Desktop Publishing » General

Typographic Specimens (93 Edition) Used Trade Paper
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$27.00 In Stock
Product details 416 pages John Wiley & Sons - English 9780471284291 Reviews:
"Synopsis" by , Specimens of 38 of the finest type families in the world are brought together in Typographic Specimens: The Great Typefaces, making it an invaluable reference tool for graphic designers, editors, art directors, production managers, desktop publishers, and students. Each type family is shown in display and text specimens with complete fonts including italic and bold variations; extended families such as Futura and Univers include additional type weights and widths. Each type family’s section opens with a full-page experimental design, created by an outstanding graphic designer to demonstrate its potential. The specimens are accompanied by a concise discussion of each type family’s origins, charactertistics, and usage. Typographic specimens provide an opportunity to study typefaces, to select and plan typography, and to increase one’s knowledge of letterforms. Drawing and tracing specimens remain excellent ways to understand type and create logos and other typographic designs. Study of specimens aids in the selection of fonts to be purchased for the font library. Typographic specimens introduce unfamiliar typefaces in printed form and aid in the development of connoisseurship. Comparative analysis of similar faces in printed form becomes possible. Over one hundred prominent designers and design educators were sent a ballot listing all major typefaces and were asked to vote for the type families that best fulfilled their personal criteria for typographic excellence. The typefaces contained in this book represent the results of this poll, providing a compendium of excellent typefaces that have stood the test of time. Typographic Specimens: The Great Typefaces will provide information, inspiration, and a keener knowledge of typography. Akzidenz-Grotesk American Typewriter Baskerville Bembo Bodoni Bookman Caledonia Caslon Centaur Century Schoolbook Cheltenham Clarendon Didot Folio Franklin Gothic Frutiger Futura Galliard Gill Sans Garamond Goudy Old Style Helvetica Janson Kabel News Gothic Optima Palatino Perpetua Plantin Sabon Serifa Stone Sans Stone Serif Stymie Times New Roman Trump Mediaeval Univers Zapf Book
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