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Phantom Sightings: Art After the Chicano Movement (08 Edition)

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Phantom Sightings: Art After the Chicano Movement (08 Edition) Cover

 

Synopses & Reviews

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Publisher Comments:

Phantom Sightings: Art after the Chicano Movement is the first comprehensive consideration of Chicano art in almost two decades and the largest exhibition of cutting-edge Chicano art ever presented at the Los Angeles County Museum of Art. Traditionally described as work created by Americans of Mexican descent, Chicano art first emerged during the vibrant Chicano rights movement of the late 1960s and early 1970s. This catalog and exhibition explore the experimental tendencies within today's Chicano art, which is oriented less toward painting and polemical assertion and more toward conceptual art, performance, film, photography, and media-based art, as well as "stealthy" artistic interventions in urban spaces. Three essays by Rita Gonzalez, Howard N. Fox, and Chon A. Noriega explore the topic in depth. With more than two hundred color illustrations, twenty-five individual artist portfolios, and a wryly subversive chronology of significant moments in Chicano cultural history, Phantom Sightings: Art after the Chicano Movement charts new territory and provides a conceptual sampling of Chicano art today.

Synopsis:

Phantom Sightings: Art after the Chicano Movement is the first comprehensive consideration of Chicano art in almost two decades and the largest exhibition of cutting-edge Chicano art ever presented at the Los Angeles County Museum of Art. Traditionally described as work created by Americans of Mexican descent, Chicano art first emerged during the vibrant Chicano rights movement of the late 1960s and early 1970s. This catalog and exhibition explore the experimental tendencies within today's Chicano art, which is oriented less toward painting and polemical assertion and more toward conceptual art, performance, film, photography, and media-based art, as well as "stealthy" artistic interventions in urban spaces. Three essays by Rita Gonzalez, Howard N. Fox, and Chon A. Noriega explore the topic in depth. With more than two hundred color illustrations, twenty-five individual artist portfolios, and a wryly subversive chronology of significant moments in Chicano cultural history, Phantom Sightings: Art after the Chicano Movement charts new territory and provides a conceptual sampling of Chicano art today.

About the Author

Rita Gonzalez is Assistant Curator of American art and Howard N. Fox is Curator of contemporary art, both at the Los Angeles County Museum of Art. Chon A. Noriega is Director of the Chicano Studies Research Center and Professor in the Department of Film, Television and Digital Media at the University of California, Los Angeles.

Product Details

ISBN:
9780520255630
Author:
Gonzalez, Rita
Publisher:
University of California Press
Author:
Noriega, Chon A.
Author:
Fox, Howard N.
Author:
Fox, Howard
Subject:
Mexican American arts
Subject:
History : General
Subject:
Ethnic Studies - Hispanic American Studies
Subject:
American
Subject:
Art-History and Criticism
Edition Description:
Trade Cloth
Publication Date:
20080431
Binding:
HARDCOVER
Grade Level:
Professional and scholarly
Language:
English
Illustrations:
200 color illustrations
Pages:
240
Dimensions:
10.75 x 10.75 x 1 in 66 oz

Related Subjects

Arts and Entertainment » Art » History and Criticism
Arts and Entertainment » Art » United States General
History and Social Science » Ethnic Studies » Hispanic American Studies

Phantom Sightings: Art After the Chicano Movement (08 Edition) Used Hardcover
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Product details 240 pages University of California Press - English 9780520255630 Reviews:
"Synopsis" by , Phantom Sightings: Art after the Chicano Movement is the first comprehensive consideration of Chicano art in almost two decades and the largest exhibition of cutting-edge Chicano art ever presented at the Los Angeles County Museum of Art. Traditionally described as work created by Americans of Mexican descent, Chicano art first emerged during the vibrant Chicano rights movement of the late 1960s and early 1970s. This catalog and exhibition explore the experimental tendencies within today's Chicano art, which is oriented less toward painting and polemical assertion and more toward conceptual art, performance, film, photography, and media-based art, as well as "stealthy" artistic interventions in urban spaces. Three essays by Rita Gonzalez, Howard N. Fox, and Chon A. Noriega explore the topic in depth. With more than two hundred color illustrations, twenty-five individual artist portfolios, and a wryly subversive chronology of significant moments in Chicano cultural history, Phantom Sightings: Art after the Chicano Movement charts new territory and provides a conceptual sampling of Chicano art today.
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