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Indelible Shadows : Film and the Holocaust (3RD 03 Edition)by Annette Insdorf
Synopses & ReviewsPlease note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.
Indelible Shadows investigates questions raised by films about the Holocaust. How does one make a movie that is both morally just and marketable? Film scholar Annette Insdorf provides sensitive readings of individual films and analyzes theoretical issues such as the "truth claims" of the cinematic medium. The third edition of Indelible Shadows includes five new chapters that cover recent trends, as well as rediscoveries of motion pictures made during and just after World War II. It addresses the treatment of rescuers, as in Schindler's List; the controversial use of humor, as in Life is Beautiful; the distorted image of survivors, and the growing genre of documentaries that return to the scene of the crime or rescue. The annotated filmography offers capsule summaries and information about another hundred Holocaust films from around the world, making this edition the most comprehensive and up to date discussion of films about the Holocaust, and an invaluable resource for film programmers and educators. Annette Insdorf is Director of Undergraduate Film Studies at Columbia University, and a Professor in the Graduate Film Division of the School of the Arts. She is the author of Double Lives, Second Chances: The Cinema of Krzysztof Kielowski (Hyperion, 1999) and Francois Truffaut (Cambridge, 1995). She served as a jury member at the Berlin Film Festival and the Locarno Film Festival, and is the panel moderator at the Telluride Film Festival. Insdorf co-hosts (with Roger Ebert) Cannes Film Festival coverage for BRAVo/IFC.
Includes five additional chapters that cover recent trends, as well as rediscoveries of motion pictures.
Includes five new chapters that cover recent trends, as well as rediscoveries of motion pictures.
The third edition of Indelible Shadows includes five new chapters. It addresses the treatment of rescuers, as in 'Schindler's List'; the controversial use of humor, as in 'Life is Beautiful'; the distorted image of survivors, and the growing genre of documentaries that return to the scene of the crime or rescue.
Indelible Shadows investigates some of the profound questions raised by any attempt to create a film based on the Holocaust. How does one make a movie that is both morally just and marketable? Annette Insdorf recognizes the dilemma inherent in dealing with this sensitive and controversial subject. She probes cinematic language and its capacity to stimulate the audience's moral consideration. The book not only provides sensitive readings of individual films but also analyzes more theoretical issues such as the 'truth claims' of the cinematic medium.
Table of Contents
Foreword Elie Wiesel; Preface; Introduction; Part I. Finding an Appropriate
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