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    Station Eleven

    Emily St. John Mandel 9780385353304

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Place for Us : Essay on the Broadway Musical (98 Edition)

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Place for Us : Essay on the Broadway Musical (98 Edition) Cover

 

Synopses & Reviews

Please note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.

Publisher Comments:

It used to be a secret that, in its postwar heyday, the Broadway musical recruited a massive underground following of gay men. But though this once silent social fact currently spawns jokes that every sitcom viewer is presumed to be in on, it has not necessarily become better understood.

In Place for Us, D. A. Miller probes what all the jokes laugh off: the embarrassingly mutual affinity between a "general" cultural form and the despised "minority" that was in fact that form's implicit audience. In a style that is in turn novelistic, memorial, autobiographical, and critical, the author restores to their historical density the main modes of reception that so many gay men developed to answer the musical's call: the early private communion with original cast albums, the later camping of show tunes in piano bars, the still later reformatting of these same songs at the post-Stonewall disco. In addition, through an extended reading of Gypsy, Miller specifies the nature of the call itself, which he locates in the postwar musical's most basic conventions: the contradictory relation between the show and the book, the mimetic tendency of the musical number, the centrality of the female star. If the postwar musical may be called a "gay" genre, Miller demonstrates, this is because its regular but unpublicized work has been to indulge men in the spectacular thrills of a femininity become their own.

Synopsis:

Although the once silent social fact that the Broadway musical recruited a massive underground following of gay men currently spawns jokes that every sitcom viewer is presumed to be in on, it has not necessarily become better understood. author.D. A. Miller probes what all the jokes laugh off: the embarrassingly mutual affinity between a "general" cultural form and the despised "minority" that was in fact that form's implicit audience.

About the Author

D. A. Miller is Professor of English and Comparative Literature at Columbia University.

Table of Contents

In the Basement

At the Bar

On Broadway

Acknowledgments

Illustration Credits

Product Details

ISBN:
9780674003880
Author:
Miller, D. A.
Publisher:
Harvard University Press
Location:
Cambridge
Subject:
General
Subject:
History and criticism
Subject:
Theater - History & Criticism
Subject:
Gay Studies
Subject:
Broadway & Musical Revue
Subject:
Musicals
Subject:
Genres & Styles - Musicals
Subject:
Drama -- History and criticism.
Subject:
SOCIAL SCIENCE / Gay Studies
Copyright:
Edition Description:
Trade paper
Publication Date:
September 2000
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
12 halftones, 1 line illustration
Pages:
160
Dimensions:
8 x 5 in 7 oz

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Related Subjects

» Arts and Entertainment » Drama » History and Criticism
» Arts and Entertainment » Drama » Musical Theater
» Arts and Entertainment » Music » Genres and Styles » Musicals
» Gay and Lesbian » Fiction and Poetry » General

Place for Us : Essay on the Broadway Musical (98 Edition) Used Trade Paper
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Product details 160 pages Harvard University Press - English 9780674003880 Reviews:
"Synopsis" by , Although the once silent social fact that the Broadway musical recruited a massive underground following of gay men currently spawns jokes that every sitcom viewer is presumed to be in on, it has not necessarily become better understood. author.D. A. Miller probes what all the jokes laugh off: the embarrassingly mutual affinity between a "general" cultural form and the despised "minority" that was in fact that form's implicit audience.
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