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The Sex Revolts: Gender, Rebellion, and Rock Tnu Roll

by

The Sex Revolts: Gender, Rebellion, and Rock Tnu Roll Cover

 

Synopses & Reviews

Publisher Comments:

Iggy Pop once said of women: "However close they come I'll always pull the rug from under them. That's where my music is made." For so long, rock 'n' roll has been fueled by this fear and loathing of the feminine. The first book to look at rock rebellion through the lens of gender, The Sex Revolts captures the paradox at rock's dark heart--the music is often most thrilling when it is most misogynist and macho. And, looking at music made by female artists, it asks: must it always be this way?

Provocative and passionately argued, the book walks the edgy line between a rock fan's excitement and a critic's awareness of the music's murky undercurrents. Here are the angry young men like the Stones and Sex Pistols, cutting free from home and mother; here are the warriors and crusaders, The Clash, Public Enemy, and U2 taking refuge in a brotherhood-in-arms; and here are the would-be supermen, with their man-machine fantasies and delusions of grandeur, from Led Zeppelin and Jim Morrison to Nick Cave and gangsta rap. The authors unravel the mystical, back-to-the-womb longings of the psychedelic tradition, from Pink Floyd, Jimi Hendrix, and Van Morrison to Brian Eno, My Bloody Valentine, and ambient techno. Alongside the story of male rock, The Sex Revolts traces the secret history of female rebellion in rock: the masquerade and mystique of Kate Bush, Siouxie, and Grace Jones, the demystifiers of femininity, like the Slits and Riot Grrl, tomboy rockers like L7 and P. J. Harvey, and confessional artists like Janis Joplin, Joni Mitchell, and Courtney Love.

A heady blend of music criticism, cultural studies, and gender theory by two of rock's keenest observers, The Sex Revolts is set to become the key text in the women-in-rock debate.

Synopsis:

The first book to look at rock rebellion through the lens of gender, The Sex Revolts captures the paradox at rock's dark heart--the music is often most thrilling when it is most misogynistic and macho. And, looking at music made by female artists, the authors ask: must it always be this way? Provocative and passionately argued, the book walks the edgy line between a rock fan's excitement and a critic's awareness of the music's murky undercurrents.

Synopsis:

A Choice Outstanding Academic Title of 1995

Synopsis:

observers, The Sex Revolts is set to become the key text in the women-in-rock debate.

About the Author

Simon Reynolds writes about music and popular culture for the New York Times, ArtForum, the Observer, and Melody Maker, and is the author of Blissed Out: The Raptures of Rock.Joy Press writes about music, books, and women's issues for Spin, the Guardian, Village Voice, and New York Newsday.

Table of Contents

  • Introduction
  • Part 1: Rebel Misogynies
    • 1. Angry Young Men: Precursors and Prototypes for Rock Rebellion
      • Rebel without a Cause
      • Look Back in Anger
      • Jack Kerouac
      • Timothy Leary
      • Ken Keasy
      • The Rolling Stones
    • 2. She’s Hit: Songs of Fear and Loathing
      • The Rolling Stones
      • John’s Children
      • Garage Punk
      • Led Zepplin
      • Roxy Music
      • Tim Rose
      • Nick Cave
      • River’s Edge
    • 3. Careers in Misogyny: The Strangers and Malcolm McLaren
    • 4. Born to Run: Wanderlust, Wilderness, and the Cult of Speed
      • The Doors
      • The Rolling Stones
      • PiL
      • Gang of Four
      • Morrissey
      • Bob Dylan
      • Bruce Springsteen
      • Tom Petty
      • Iggy Pop
      • Lynard Skynard
      • Easy Rider
      • Neil Young
      • Kraftwerk
      • Hardcore Techno
    • 5. Brothers in Arms: Combat Rock and Other Stories for Boys
      • The Clash
      • Thin Lizzy
      • The Manic Street Preachers
      • Public Enemy
      • U2
    • 6. Flirting with the Void: Abjection in Rock
      • The Stooges
      • The Sex Pistols
      • Throbbing Gristle
      • Birthday Party
      • Scratch Acid
      • Grindcore
      • Alice in Chains
      • Nirvana
      • Henry Rollins
      • Devo
    • 7. Wargasm: Metal and Machine Music
      • The Futurists
      • Kraftwerk
      • Techno
      • Motorhead
      • Iggy Pop
      • Radio Birdman
      • David Bowie
      • Led Zepplin
      • The Young Gods
    • 8. I Am the King: Delusions of Grandeur from Jim Morrison to Gangsta Rap
      • Jim Morrison
      • The Sex Pistols
      • Guns N’ Roses
      • Nick Cave
      • Lou Reed
      • Jane’s Addiction
      • Eldridge Cleaver
      • LL Cool J
      • Miles Davis
      • Sly Stone
      • Gangsta Rap
    • 9. My Way: The Cult of the Psychopath
      • The White Negro
      • Jim Morrison
      • Charles Manson
      • Sid Vicious
      • Big Black
      • Slacker
      • Apocalypse Culture
  • Part 2: Into the Mystic
    • 1. From Rebellion to Grace: The Pscyhedelic Mother’s Boy
    • 2. Back to Eden: Innocence, Indolence and Pastoralism
      • Mod
      • Marc Bolan
      • The Incredible String Band
      • The Byrds
      • West Coast Psychedelia
      • Van Morrison
      • Pink Floyd
      • Dreampop
      • Rave
      • Ambient House
      • The Orb
      • Dub Reggae
      • Ultramarine
    • 3. Starsailing: Cosmic Rock
      • John Cage
      • John Coltrane
      • The Byrds
      • Jimi Hendrix
      • Tim Buckley
      • Pink Floyd
    • 4. Flow Motion: Can, Eno and Oceanic Rock
      • Can
      • Brian Eno
      • Robert Wyatt
      • Miles Davis
      • A.R. Kane
    • 5. Soft Boys: Nostalgia, Incest, and Zen Apathy
      • Jimi Hendrix
      • Morrissey
      • John Lennon
      • Elvis
      • My Bloody Valentine
  • Part 3: Lift Up Your Skirt and Speak
    • 1. Double Allegiances: The History of Rock
    • 2. One of the Boys: Female Machisma
      • Patti Smith
      • Chrissie Hynde
      • Kate Bush
      • P.J. Harvey
      • Suzi Quatro
      • Joan Jett
      • Heart
      • Kim Gordon
      • L7
    • 3. Open Your Heart: Confession and Catharsis from Janis Joplin to Courtney Love
      • Sinead O’Connor
      • Suzanne Vega
      • Joni Mitchell
      • Liz Phair
      • Lydia Lunch
      • Hole
      • Babes in Toyland
      • Tori Amos
      • Janis Joplin
      • Bessie Smith
    • 4. Woman Unbound: Hysterics, Witches, and Mystics
      • Lydia Lunch
      • Diamanda Galas
      • Stevie Nicks
      • Kate Bush
      • Siouxsie
      • Sandy Denny
      • Cocteau Twins
    • 5. Who’s That Girl? Masquerade and Mastery
      • X-Ray Spex
      • Siouxsie
      • Grace Jones
      • Donna Summer
      • Annie Lennox
      • Joan Armatrading
      • Janet Jackson
      • Queen Latifa
      • Salt-n-Pepa
      • Grace Slick
      • Nico
    • 6. Un-Typical Girls: Post-Punk Demystification
      • The Slits
      • The Raincoats
      • The Au Pairs
      • Delta 5
      • Bush Tetras
    • 7. What a Drag: Post-Feminism and Pop
      • Altered Images
      • Madonna
      • Paris Is Burning
    • 8. There’s a Riot Going On: Grrrls against Boy-Rock
      • Riot Grrrl
      • Bikini Kill
      • Huggy Bear
    • 9. Body’s in Trouble
      • Mary Margaret O’Hara
      • Suzanne Vega
      • Hugo Largo
      • P.J. Harvey
      • Throwing Muses
      • Babes in Toyland
      • Siouxsie
      • Hole
      • Lunachicks
    • 10. Adventures Close to Home: Domesticity’s Tender Trap
      • Kate Bush
      • Lunachicks
      • Throwing Muses
      • Siouxsie
      • Marianne Faithfull
      • The Slits
    • 11. All Fluxed Up: Rebels against Structure
      • Patti Smith
      • Joni Mitchell
      • Rickie Lee Jones
      • The Raincoats
      • Throwing Muses
      • Mary Margaret O’Hara
      • Dead Can Dance
      • Bjork
      • Diamanda Galas
      • Yoko Ono
  • Afterword
  • Notes
  • Bibliography
  • Index

Product Details

ISBN:
9780674802735
With:
Press, Joy
Author:
Press, Joy
Author:
Reynolds, Simon
Author:
nolds, Simon
Author:
Rey
Publisher:
Harvard University Press
Location:
Cambridge, Mass.
Subject:
Rock
Subject:
Rock music
Subject:
Music
Subject:
Feminism and music
Subject:
Women rock musicians.
Subject:
Sexism in music.
Subject:
Genres & Styles - Rock
Subject:
Music-Rock History
Subject:
MUSIC / History & Criticism
Subject:
SOCIAL SCIENCE / Gender Studies
Copyright:
Edition Description:
1st Harvard University Press pbk. ed.
Publication Date:
October 1996
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
none
Pages:
432
Dimensions:
8 x 5 in 17 oz

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Related Subjects

» Arts and Entertainment » Music » General
» Arts and Entertainment » Music » Genres and Styles » Rock
» Arts and Entertainment » Music » History and Criticism
» History and Social Science » Gender Studies » General

The Sex Revolts: Gender, Rebellion, and Rock Tnu Roll Used Trade Paper
0 stars - 0 reviews
$10.95 In Stock
Product details 432 pages Harvard University Press - English 9780674802735 Reviews:
"Synopsis" by , The first book to look at rock rebellion through the lens of gender, The Sex Revolts captures the paradox at rock's dark heart--the music is often most thrilling when it is most misogynistic and macho. And, looking at music made by female artists, the authors ask: must it always be this way? Provocative and passionately argued, the book walks the edgy line between a rock fan's excitement and a critic's awareness of the music's murky undercurrents.
"Synopsis" by , A Choice Outstanding Academic Title of 1995
"Synopsis" by , observers, The Sex Revolts is set to become the key text in the women-in-rock debate.
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