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The Architecture of Frank Lloyd Wright

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The Architecture of Frank Lloyd Wright Cover

 

Synopses & Reviews

Publisher Comments:

Neil Levine's study of the architecture of Frank Lloyd Wright, beginning with his work in Oak Park in the late 1880s and culminating in the construction of the Guggenheim museum in New York and the Marin County Civic Center in the 1950s, if the first comprehensive and in-depth analysis of the architect's entire career since the opening of the Wright Archives over a decade ago. The most celebrated and prolific of modern architects, Wright built more than four hundred buildings and designed at least twice as many more. The characteristic features of his work--the open plan, dynamic space, fragmented volumes, natural materials, and integral structure--established the basic way that we think about modern architecture. For a general audience, this engaging book provides an introduction to Wright's remarkable accomplishments, as seen against the background of his eventful and often tragic life. For the architect or the architectural historian, it will be an important source of new insights into the development of Wright's whole body of work. It integrates biographical and historical material in a chronologically ordered framework that makes sense of his enormously varied career, and it provides over four hundred illustrations running parallel to the text.

Levine conveys the meanings of the continuities and changes that he sees I Wright's architecture and thought by focusing successive chapters on his most significant buildings, such as the Winslow House, Taliesin, Hollyhock House, Fallingwater, Tailsen west, and the Guggenheim Museum. A new understanding of the representational imagery and narrative structure of Wright's work, along with a much-needed reconsideration of its historical and contextual underpinnings, gives this study a unique place in the writings on Wright. In contrast to the emphasis a previous generation of critics and historians placed on Wright's earlier buildings, this book offers a broader perspective that sees Wright's later work as the culmination of his earlier efforts and the basis for a new understanding of the centrality of his career to the evolution of modern architecture as a whole.

Synopsis:

"There is no other book that brings one closer to a sense of full understanding of Wright's architecture."--Robin Middleton, Columbia University

Synopsis:

Neil Levine's study of the architecture of Frank Lloyd Wright, beginning with his work in Oak Park in the late 1880s and culminating in the construction of the Guggenheim museum in New York and the Marin County Civic Center in the 1950s, if the first comprehensive and in-depth analysis of the architect's entire career since the opening of the Wright Archives over a decade ago. The most celebrated and prolific of modern architects, Wright built more than four hundred buildings and designed at least twice as many more. The characteristic features of his work--the open plan, dynamic space, fragmented volumes, natural materials, and integral structure--established the basic way that we think about modern architecture. For a general audience, this engaging book provides an introduction to Wright's remarkable accomplishments, as seen against the background of his eventful and often tragic life. For the architect or the architectural historian, it will be an important source of new insights into the development of Wright's whole body of work. It integrates biographical and historical material in a chronologically ordered framework that makes sense of his enormously varied career, and it provides over four hundred illustrations running parallel to the text.

Levine conveys the meanings of the continuities and changes that he sees I Wright's architecture and thought by focusing successive chapters on his most significant buildings, such as the Winslow House, Taliesin, Hollyhock House, Fallingwater, Tailsen west, and the Guggenheim Museum. A new understanding of the representational imagery and narrative structure of Wright's work, along with a much-needed reconsideration of its historical and contextual underpinnings, gives this study a unique place in the writings on Wright. In contrast to the emphasis a previous generation of critics and historians placed on Wright's earlier buildings, this book offers a broader perspective that sees Wright's later work as the culmination of his earlier efforts and the basis for a new understanding of the centrality of his career to the evolution of modern architecture as a whole.

Table of Contents

Preface and Acknowledgments
Introduction
Ch. IBeginnings of the Prairie House1
Ch. IIAbstraction and Analysis in the Architecture of the Oak Park Years23
Ch. IIIVoluntary Exile in Fiesole59
Ch. IVThe Story of Taliesin75
Ch. VBuilding against Nature on the Pacific Rim113
Ch. VIFrom Los Angeles to Lake Tahoe and Death Valley149
Ch. VIIWriting An Autobiography, Reading the Arizona Desert191
Ch. VIIIThe Temporal Dimension of Fallingwater217
Ch. IXThe Traces of Prehistory at Taliesin West255
Ch. XThe Guggenheim Museum's Logic of Inversion299
Ch. XISigns of Identity in an Increasingly One-Dimensional World365
Conclusion: Wright and His/story419
Notes435
Bibliographical Note505
List of Illustrations507
Index515

Product Details

ISBN:
9780691027456
Author:
Levine, Neil
Publisher:
Princeton University Press
Location:
Princeton
Subject:
United states
Subject:
Architecture
Subject:
Individual Architect
Subject:
Wright, frank lloyd, 1869-1959
Subject:
Art and architecture
Subject:
Individual Architects & Firms - General
Subject:
Architecture-Architects
Copyright:
Edition Description:
Trade paper
Publication Date:
December 1997
Binding:
TRADE PAPER
Grade Level:
College/higher education:
Language:
English
Illustrations:
24 color plates. 392 halftones.
Pages:
544
Dimensions:
11 x 9 in 91 oz

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Related Subjects

Arts and Entertainment » Architecture » Architects
Arts and Entertainment » Architecture » Frank Lloyd Wright
Arts and Entertainment » Architecture » History » General
Arts and Entertainment » Architecture » Reference
History and Social Science » Politics » General

The Architecture of Frank Lloyd Wright Used Trade Paper
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Product details 544 pages Princeton University Press - English 9780691027456 Reviews:
"Synopsis" by , "There is no other book that brings one closer to a sense of full understanding of Wright's architecture."--Robin Middleton, Columbia University
"Synopsis" by , Neil Levine's study of the architecture of Frank Lloyd Wright, beginning with his work in Oak Park in the late 1880s and culminating in the construction of the Guggenheim museum in New York and the Marin County Civic Center in the 1950s, if the first comprehensive and in-depth analysis of the architect's entire career since the opening of the Wright Archives over a decade ago. The most celebrated and prolific of modern architects, Wright built more than four hundred buildings and designed at least twice as many more. The characteristic features of his work--the open plan, dynamic space, fragmented volumes, natural materials, and integral structure--established the basic way that we think about modern architecture. For a general audience, this engaging book provides an introduction to Wright's remarkable accomplishments, as seen against the background of his eventful and often tragic life. For the architect or the architectural historian, it will be an important source of new insights into the development of Wright's whole body of work. It integrates biographical and historical material in a chronologically ordered framework that makes sense of his enormously varied career, and it provides over four hundred illustrations running parallel to the text.

Levine conveys the meanings of the continuities and changes that he sees I Wright's architecture and thought by focusing successive chapters on his most significant buildings, such as the Winslow House, Taliesin, Hollyhock House, Fallingwater, Tailsen west, and the Guggenheim Museum. A new understanding of the representational imagery and narrative structure of Wright's work, along with a much-needed reconsideration of its historical and contextual underpinnings, gives this study a unique place in the writings on Wright. In contrast to the emphasis a previous generation of critics and historians placed on Wright's earlier buildings, this book offers a broader perspective that sees Wright's later work as the culmination of his earlier efforts and the basis for a new understanding of the centrality of his career to the evolution of modern architecture as a whole.

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