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Other titles in the New Mermaids series:
The Jew of Malta (New Mermaids)by Christopher Marlowe
Synopses & Reviews
'Tell me worldlings, underneath the sun, If greater falsehood ever has been done'
The Jew of Malta, written around 1590, can present a
challenge for modern audiences. Hugely popular in its day, the play
swings wildly and rapidly in genre, from pointed satire, to bloody
revenge tragedy, to melodrmatic intrigue, to dark farce and grotesque
comedy. Although set in the Mediterranean island of Malta, the play
evokes contemporary Elizabethan social tensions, especially the highly
charged issue of London's much-resented community of resident merchant
foreigners. Barabas, the enormously wealthy Jew of the play's title,
appears initially victimized by Malta's Christian Governor, who quotes
scripture to support the demand that Jews cede their wealth to pay
Malta's tribute to the Turks. When he protests, Barabas is deprived of
his wealth, his means of livelihood, and his house, which is converted
to a nunnery. In response to this hypocritical extortion, Barabas
launches a horrific (and sometimes hilarious) course of violence that
goes well beyond revenge, using murderous tactics that include
everything from deadly soup to poisoned flowers. The play's sometimes
complex treatment of anti-Semitism and its relationship to
Shakespeare's Merchant of Venice remain matters of continuing scholarly reflection.
This student edition contains a lengthy Introduction with background
on the author, date and sources, theme, critical interpretation and
stage history, as well as a fully annotated version of the playtext in
James R. Siemon is Professor of English at Boston University.
The Jew of Malta was arguably the most popular play of the Elizabethan era.
There is no known source for Christopher Marlowe's play The Jew of Malta, but it makes copious allusions to the famous Turkish seize of Christian Malta in 1565 that forms the international setting for the main character, Barabas. It greatly influenced William Shakespeare's Merchant of Venice with its exploration of anti-Semitism and revenge.
About the Author
The editor, James R Siemon is Professor of English Literature at Boston University.
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