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Original Essays | August 21, 2014

Richard Bausch: IMG Why Literature Can Save Us



Our title is, of course, a problem. "Why Literature Can Save Us." And of course the problem is one of definition: what those words mean. What is... Continue »
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    Before, During, After

    Richard Bausch 9780307266262

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Nadja (60 Edition)

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Synopses & Reviews

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Synopsis:

Nadja, originally published in France in 1928, is the first and perhaps best Surrealist romance ever written, a book which defined that movement's attitude toward everyday life.The principal narrative is an account of the author's relationship with a girl in the city of Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs which form an integral part of the work--pictures of various 'surreal' people, places, and objects which the author visits or is haunted by in Nadja's presence and which inspire him to meditate on their reality or lack of it.

Product Details

ISBN:
9780802150264
Translator:
Howard, Richard
Author:
Howard, Richard
Author:
Breton, Andre
Publisher:
Grove Press
Location:
New York :
Subject:
General
Subject:
Fiction
Subject:
Translations into english
Subject:
French literature
Subject:
General Fiction
Subject:
Literature-A to Z
Copyright:
Edition Description:
Trade Paper
Series Volume:
no. 42
Publication Date:
19940131
Binding:
TRADE PAPER
Language:
English
Illustrations:
Yes
Pages:
160
Dimensions:
8 x 5.5 in 6.5 oz

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Related Subjects

Fiction and Poetry » Literature » A to Z
Humanities » Philosophy » General
Humanities » Philosophy » Surveys

Nadja (60 Edition) Used Trade Paper
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Product details 160 pages Grove Press - English 9780802150264 Reviews:
"Synopsis" by ,
Nadja, originally published in France in 1928, is the first and perhaps best Surrealist romance ever written, a book which defined that movement's attitude toward everyday life.The principal narrative is an account of the author's relationship with a girl in the city of Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs which form an integral part of the work--pictures of various 'surreal' people, places, and objects which the author visits or is haunted by in Nadja's presence and which inspire him to meditate on their reality or lack of it.
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