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Glass Slipper, Gold Sandal: A Worldwide Cinderella

by

Glass Slipper, Gold Sandal: A Worldwide Cinderella Cover

 

Synopses & Reviews

Publisher Comments:

Once upon a time, in Mexico . . . in Ireland . . . in Zimbabwe . . . there lived a girl who worked all day in the rice fields . . . then spent the night by the hearth, sleeping among the cinders.

Her name is Ashpet, Sootface, Cendrillon . . . Cinderella. Her story has been passed down the centuries and across continents. Now Paul Fleischman and Julie Paschkis craft its many versions into one hymn to the rich variety and the enduring constants of our cultures.

A Junior Library Guild Selection

 
Glass Slipper, Gold Sandal: A Worldwide Cinderella is a 2008 Bank Street - Best Children's Book of the Year.

Review:

"Beneath its handsome William Morris — like cover art, this inspired retelling blends many versions of Cinderella into a single, extraordinary tale. As Newbery Medalist Fleischman's (Joyful Noise) strong storytelling voice incorporates sometimes small details from different traditions, text and illustrations nimbly morph from one Cinderella story to the next, creating this brand-new version. Paschkis (Yellow Elephant) makes use of folk art and textile patterns throughout the world in the clever background paintings behind each of her vibrant panel illustrations, and she helpfully and unobtrusively labels the country from which relevant borrowings originate. Generally, each page focuses on a single country's contributions, but even when details from several countries share a spread, visual harmony prevails and characters remain recognizable despite their costume changes. When Cinderella has nothing to wear, for example, 'a crocodile swam up to the surface — and in its mouth was a sarong made of gold [Indonesia]... a cloak sewn of kingfisher feathers [China]... a kimono red as sunset [Japan].' Even the last line of text is patched from several sources: 'Such a wedding it was, and such an adoring couple [Iraq]... and such a wondrous turn of events [Korea]... that people today are still telling the story.' Paschkis emphasizes the storyteller's voice by beginning and ending the narrative with illustrations of a mother reading to her daughter — a daughter who, appropriately, looks much like Cinderella herself.Ages 5-up. (Sept.)" Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)

About the Author

PAUL FLEISCHMAN won a Newbery Medal for Joyful Noise and a Newbery Honor for Graven Images. He lives with his wife in northern California.

WWW.PAULFLEISCHMAN.COM

 

JULIE PASCHKIS won a Boston Globe-Horn Book Honor for Yellow Elephant. She lives in Seattle.

WWW.JULIEPASCHKIS.COM

 

Product Details

ISBN:
9780805079531
Author:
Fleischman, Paul
Publisher:
Henry Holt & Company
Illustrator:
Paschkis, Julie
Author:
Paschkis, Julie
Author:
Paul Fleischm
Author:
An
Subject:
Fairy Tales & Folklore - Single Title
Subject:
Fairy Tales & Folklore - Country/Ethnic-General
Subject:
Folklore
Subject:
Fairy Tales & Folklore - General
Subject:
Fairy tales
Subject:
Folklore/Country
Subject:
Ethnic
Subject:
Fairy Tales & Folklore / Country & Ethnic
Subject:
Children s-General
Edition Description:
Picture Book
Publication Date:
20070931
Binding:
HARDCOVER
Grade Level:
from K up to 5
Language:
English
Illustrations:
Full-color illustrations throughout
Pages:
32
Dimensions:
11.3 x 8.92 x 0.475 in
Children's Book Type:
Picture / Wordless
Age Level:
05-UP

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Related Subjects

Children's » Folk Tales » World General
Children's » General
Children's » Picture Books » Fairytales

Glass Slipper, Gold Sandal: A Worldwide Cinderella New Hardcover
0 stars - 0 reviews
$17.99 In Stock
Product details 32 pages Henry Holt & Company - English 9780805079531 Reviews:
"Publishers Weekly Review" by , "Beneath its handsome William Morris — like cover art, this inspired retelling blends many versions of Cinderella into a single, extraordinary tale. As Newbery Medalist Fleischman's (Joyful Noise) strong storytelling voice incorporates sometimes small details from different traditions, text and illustrations nimbly morph from one Cinderella story to the next, creating this brand-new version. Paschkis (Yellow Elephant) makes use of folk art and textile patterns throughout the world in the clever background paintings behind each of her vibrant panel illustrations, and she helpfully and unobtrusively labels the country from which relevant borrowings originate. Generally, each page focuses on a single country's contributions, but even when details from several countries share a spread, visual harmony prevails and characters remain recognizable despite their costume changes. When Cinderella has nothing to wear, for example, 'a crocodile swam up to the surface — and in its mouth was a sarong made of gold [Indonesia]... a cloak sewn of kingfisher feathers [China]... a kimono red as sunset [Japan].' Even the last line of text is patched from several sources: 'Such a wedding it was, and such an adoring couple [Iraq]... and such a wondrous turn of events [Korea]... that people today are still telling the story.' Paschkis emphasizes the storyteller's voice by beginning and ending the narrative with illustrations of a mother reading to her daughter — a daughter who, appropriately, looks much like Cinderella herself.Ages 5-up. (Sept.)" Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.)
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