Poetry Madness
 
 

Recently Viewed clear list


Interviews | April 8, 2014

Shawn Donley: IMG Gabrielle Zevin: The Powells.com Interview



Gabrielle ZevinThe American Booksellers Association collects nominations from bookstores all over the country for favorite forthcoming titles. The Storied Life of... Continue »
  1. $17.47 Sale Hardcover add to wish list

    The Storied Life of A. J. Fikry

    Gabrielle Zevin 9781616203214

spacer
Qualifying orders ship free.
$20.00
List price: $30.25
Used Trade Paper
Ships in 1 to 3 days
Add to Wishlist
available for shipping or prepaid pickup only
Available for In-store Pickup
in 7 to 12 days
Qty Store Section
5 Partner Warehouse General- General

More copies of this ISBN

Bio/pics : How Hollywood Constructed Public History (92 Edition)

by

Bio/pics : How Hollywood Constructed Public History (92 Edition) Cover

 

Synopses & Reviews

Please note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.

Publisher Comments:

Enhanced by charts, appendixes, notes, and references to approximately 300 movies from 1927 to 1960 (with additional material on the biopics' absorption by contemporary television), this volume analyzes biographical film production, distribution, and exhibition under the constraints of censorship, libel law, producer proclivities, and casting. Custen (communications, CUNY) explains why biographies of entertainers proliferated after World War II, how studio moguls fostered biographical narratives similar to their own rags-to-riches stories, and to what extent research departments affected veracity. A good addition to a scant literature that includes Michael Pitts's Hollywood and American History (McFarland & Co., 1984) and George MacDonald Fraser's The Hollywood History of the World ( LJ 9/15/88). Essential for comprehensive film collections. Movie Entertainment Book Club selection.

"Helps us to understand how Hollywood films shaped public consciousness about the past by constructing a very specific, ideologically charged version of that past. . . . A fresh and important contribution to film history and cultural studies."--Daniel Czitrom, Mount Holyoke College

Bio/Pics is the first comprehensive study of a once important film genre, the biographical film. Using previously unavailable archival materials from Twentieth Century-Fox, Warner Bros., MGM, and RKO studios, as well as censorship files from the Production Code Administration, George Custen argues that, through these films, Hollywood manufactured a nearly monochromatic view of history that was systematically distorted in regard to race, gender, nationality, and profession.Utilizing a carefully selected sample of over 100 films produced during the Studio Era (1927-1960), Custen maintains that the biopic constructed a Hollywood code of history out of a tightly controlled reference system, glamorizing the producers' own personal visions of what constituted a great life. Custen's examination of production practices reveals that the machinery of public history operating through these films was fueled by difference sources. His analysis of the roles played by star personae, legal considerations, censorship practices, and the producers' own ideologies brings the world of biopic alive, even into the age of the made-for-TV movie.

Synopsis:

Enhanced by charts, appendixes, notes, and references to approximately 300 movies from 1927 to 1960 (with additional material on the biopics' absorption by contemporary television), this volume analyzes biographical film production, distribution, and exhibition under the constraints of censorship, libel law, producer proclivities, and casting. Custen (communications, CUNY) explains why biographies of entertainers proliferated after World War II, how studio moguls fostered biographical narratives similar to their own rags-to-riches stories, and to what extent research departments affected veracity. A good addition to a scant literature that includes Michael Pitts's Hollywood and American History (McFarland & Co., 1984) and George MacDonald Fraser's The Hollywood History of the World ( LJ 9/15/88). Essential for comprehensive film collections. Movie Entertainment Book Club selection.

Synopsis:

.

Synopsis:

Bio/Pics is the first comprehensive study of a once important film genre, the biographical film. Using previously unavailable archival materials from Twentieth Century-Fox, Warner Bros., MGM, and RKO studios, as well as censorship files from the Production Code Administration, George Custen argues that, through these films, Hollywood manufactured a nearly monochromatic view of history that was systematically distorted in regard to race, gender, nationality, and profession. Employing a carefully selected sample of over one hundred films produced during the studio era (1927-1960), Custen maintains that the biopic constructed a Hollywood code of history out of a tightly controlled reference system, glamorizing the producers' own personal visions of what constituted a great life. Custen's examination of production practices reveals that the machinery of public history operating through these films was fueled by different textual and intertextual sources; Hollywood's model of history was derived from recycled plots played out on its back lots and sound stages, and not from the world outside the studio walls. His analysis of the roles played by star personae, legal considerations, censorship practices, and the producers' own ideologies brings the world of the biopic alive, even into the age of the made-for-TV movie.

Description:

Includes bibliographical references (p. [283]-290) and index.

About the Author

George F. Custen is associate professor of communications in the department of performing and creative arts at the City University of New York, The College of Staten Island.

Product Details

ISBN:
9780813517551
Author:
Custen, George F.
Publisher:
Rutgers University Press
Author:
Custen, George
Location:
New Brunswick, N.J. :
Subject:
History
Subject:
Film - History & Criticism
Subject:
Motion pictures
Subject:
Motion picture industry
Subject:
Historical films
Subject:
Motion picture industry -- United States -- History.
Subject:
Biographical films.
Subject:
Film & Video - History & Criticism
Subject:
Motion picture industry -- United States.
Subject:
Historical films -- History and criticism.
Subject:
Film and Television-History and Criticism
Edition Description:
Trade Paper
Series Volume:
no. 3
Publication Date:
19920531
Binding:
TRADE PAPER
Language:
English
Illustrations:
Yes
Pages:
326
Dimensions:
9 x 6 in 1.13 lb

Other books you might like

  1. Nearby History: Exploring the Past... Used Trade Paper $6.95
  2. Oral History: An Interdisciplinary... New Trade Paper $47.95
  3. The Sign Painter New Trade Paper $6.99
  4. Elements of Style for Screenwriters:... Used Trade Paper $5.50
  5. Conversations with Screenwriters Used Trade Paper $12.50
  6. Unspeakable Images: Ethnicity and... Used Trade Paper $4.50

Related Subjects

Arts and Entertainment » Film and Television » General
Arts and Entertainment » Film and Television » History and Criticism
Science and Mathematics » Agriculture » Animal Husbandry
Science and Mathematics » Biology » General

Bio/pics : How Hollywood Constructed Public History (92 Edition) Used Trade Paper
0 stars - 0 reviews
$20.00 In Stock
Product details 326 pages Rutgers University Press - English 9780813517551 Reviews:
"Synopsis" by ,
Enhanced by charts, appendixes, notes, and references to approximately 300 movies from 1927 to 1960 (with additional material on the biopics' absorption by contemporary television), this volume analyzes biographical film production, distribution, and exhibition under the constraints of censorship, libel law, producer proclivities, and casting. Custen (communications, CUNY) explains why biographies of entertainers proliferated after World War II, how studio moguls fostered biographical narratives similar to their own rags-to-riches stories, and to what extent research departments affected veracity. A good addition to a scant literature that includes Michael Pitts's Hollywood and American History (McFarland & Co., 1984) and George MacDonald Fraser's The Hollywood History of the World ( LJ 9/15/88). Essential for comprehensive film collections. Movie Entertainment Book Club selection.
"Synopsis" by ,
.

"Synopsis" by , Bio/Pics is the first comprehensive study of a once important film genre, the biographical film. Using previously unavailable archival materials from Twentieth Century-Fox, Warner Bros., MGM, and RKO studios, as well as censorship files from the Production Code Administration, George Custen argues that, through these films, Hollywood manufactured a nearly monochromatic view of history that was systematically distorted in regard to race, gender, nationality, and profession. Employing a carefully selected sample of over one hundred films produced during the studio era (1927-1960), Custen maintains that the biopic constructed a Hollywood code of history out of a tightly controlled reference system, glamorizing the producers' own personal visions of what constituted a great life. Custen's examination of production practices reveals that the machinery of public history operating through these films was fueled by different textual and intertextual sources; Hollywood's model of history was derived from recycled plots played out on its back lots and sound stages, and not from the world outside the studio walls. His analysis of the roles played by star personae, legal considerations, censorship practices, and the producers' own ideologies brings the world of the biopic alive, even into the age of the made-for-TV movie.
spacer
spacer
  • back to top
Follow us on...




Powell's City of Books is an independent bookstore in Portland, Oregon, that fills a whole city block with more than a million new, used, and out of print books. Shop those shelves — plus literally millions more books, DVDs, and gifts — here at Powells.com.